Dmitri Hvorostovsky's 'На безымянной высоте' had a release date set for January 1, 2007. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in Песни военных лет - Коллекционное издание, том 17, so we believe that "На безымянной высоте" is a single. На безымянной высоте is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of На безымянной высоте by Dmitri Hvorostovsky is Andante (at a walking pace), since this song has a tempo of 87 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Die Fledermaus / Act 2: "Mein Herr Marquis" | Johann Strauss II, Edita Gruberova, Vienna State Opera Chorus, Wiener Philharmoniker, André Previn | G Major | 2 | 9B | 173 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
Serse, HWV 40, Act I: Frondi tenere e belle ... Ombra mai fù | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 94 BPM | ||
Don Giovanni, K. 527: Là ci darem la mano | Wolfgang Amadeus Mozart, Teresa Berganza, Ruggero Raimondi, Lorin Maazel | A Major | 1 | 11B | 93 BPM | ||
Giacomo Puccini: Madame Butterfly - Summchor | Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner | B♭ Major | 0 | 6B | 85 BPM | ||
Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | A♭ Major | 1 | 4B | 86 BPM | ||
Iolanta Op. 69, TH 11: "Kto mozhet sravnitsa" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Mariinsky Orchestra, Valery Gergiev | E Major | 4 | 12B | 74 BPM | ||
V Zemlianke (In the Trenches) | Evgeny Stetsyuk, Konstantin Listov, Dmitri Hvorostovsky, Spiritual Revival Choir of Russia, Style of Five, Moscow Chamber Orchestra, Constantine Orbelian | E♭ Minor | 1 | 2A | 95 BPM | ||
Masquerade Suite: I. Waltz | Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra | C Major | 3 | 8B | 181 BPM |