"Romeo and Juliet, Op. 64 : (Suite No.1, Op.64b, No.6)" by Tbilisi Symphony Orchestra, Vakhtang Kakhidze was released on January 1, 2003. Since Romeo and Juliet, Op. 64 : (Suite No.1, Op.64b, No.6) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Prokofiev, Tchaikovsky: Romeo and Juliet". In this album, this song's track order is #7. Romeo and Juliet, Op. 64 : (Suite No.1, Op.64b, No.6) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romeo and Juliet, Op. 64 : (Suite No.1, Op.64b, No.6) by Tbilisi Symphony Orchestra, Vakhtang Kakhidze having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in C Minor for Oboe and Strings: III. Siciliana | Vladimir Kurlin, The St. Petersburg Soloists | D Minor | 2 | 7A | 143 BPM | ||
Symphony No.36 in C major, Linz, K. 425 : II. Poco adagio | Tbilisi Symphony Orchestra, Vakhtang Kakhidze | C Major | 0 | 8B | 62 BPM | ||
曾经年少爱追梦 | 王琪 | E Major | 9 | 12B | 128 BPM | ||
Introit, Op. 6 | Gerald Finzi, Rodney Friend, London Philharmonic Orchestra, Sir Adrian Boult | D Minor | 1 | 7A | 86 BPM | ||
Swan Lake, Op. 20 : Act III, No.15 Allegro giusto | Tbilisi Symphony Orchestra, Vakhtang Kakhidze | F Major | 4 | 7B | 133 BPM | ||
Slavonic Dance No.1 | Uberto Pieroni | C Major | 3 | 8B | 119 BPM | ||
Sonata No. 2 in B-Flat Minor for Piano, Op. 35: III. Marche Funébre (Funeral March): Lento | Andrei Ivanovich | D♭ Major | 0 | 3B | 60 BPM | ||
G弦上的咏叹调 | 上海卡乐室内乐队 | D Major | 1 | 10B | 112 BPM | ||
Prélude á l'aprés-midi d'un faune, L. 86 | Natalia Stolarska, Bogdan Kutakowski | B Major | 2 | 1B | 81 BPM | ||
La Mer, L. 109: I. De l'aube a midi sur la mer | Claude Debussy, Vakhtang Kakhidze, The Georgian Festival Orchestra | A Major | 0 | 11B | 113 BPM |