"Die Lorelei: Loreley" by Friedrich Silcher, Leipzig Radio Chorus, male section, Jörg Peter Weigle was released on January 1, 1999. The duration of Die Lorelei: Loreley is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Die Lorelei: Loreley's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 16 in Choral Music (German) - Bohm, K. / Zollner, C.F. / Schubert, F. / Grieg, E. / Mozart, W.A. / Silcher, F. / Mendelssohn, Felix / Loewe, C. by Various Artists, Jörg Peter Weigle, Dietrich Knothe. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Die Lorelei: Loreley's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Die Lorelei: Loreley by Friedrich Silcher, Leipzig Radio Chorus, male section, Jörg Peter Weigle is Allegro (fast, quick, and bright), since this song has a tempo of 131 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Faithful Shepherd, Lead Me | Friedrich Silcher, Maurice Bevan, Paul Chapman, St. Paul's Cathedral Choir, John Scott, Christopher Dearnley | F Major | 2 | 7B | 76 BPM | ||
Ach bleib mit deiner Gnade | Jubilate-Chor, Gisbert Runkel | D Major | 2 | 10B | 96 BPM | ||
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Aus ist's mit der Liebe - Ganz ohne weiber geht die Chose nicht (Boni - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | C Major | 3 | 8B | 107 BPM | ||
Deutsche Messe, D. 872: IV. Zum Offertorium. Sehr langsam | Franz Schubert, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
Elisabeth-Serenade | Günter Kallmann Chor | F♯ Major | 2 | 2B | 92 BPM | ||
Legende Von Den 12 Räubern | Don Kosaken Chor | G Major | 3 | 9B | 82 BPM | ||
Richte mich Gott (Psalm 43) | Felix Mendelssohn, Gilad Nezer, Netherlands Chamber Choir, Klaas Stok | F Major | 1 | 7B | 128 BPM | ||
Untreue | Friedrich Silcher, Quartonal | A Major | 2 | 11B | 93 BPM | ||
O wie herbe ist das Scheiden | Friedrich Silcher, Christoph Prégardien, Michael Gees, Julian Prégardien | A♭ Major | 0 | 4B | 152 BPM | ||
Komm, lieber Mai, und mache (Sehnsucht nach dem Frühling) | Rundfunk-Kinderchor Berlin, Siegfried Lorenz | F Major | 2 | 7B | 84 BPM |