"Nuits, adieux (Version for 4 Voices): VI. Nuit IV" by Kaija Saariaho, Linnéa Sundfær Casserly, Eleriin Müüripeal, Martti Anttila, Sampo Haapaniemi, Nils Schweckendiek was released on June 16, 2023. With Nuits, adieux (Version for 4 Voices): VI. Nuit IV being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 31 in the song's album "Reconnaissance". In this album, this song's track order is #29. Furthermore, we believe that the track originated from Sweden. Nuits, adieux (Version for 4 Voices): VI. Nuit IV is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nuits, adieux (Version for 4 Voices): VI. Nuit IV by Kaija Saariaho, Linnéa Sundfær Casserly, Eleriin Müüripeal, Martti Anttila, Sampo Haapaniemi, Nils Schweckendiek having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scene 7 | Michael Galasso | F Major | 2 | 7B | 126 BPM | ||
Three Essays: Second Essay (Echo) | Caroline Shaw, Attacca Quartet | D Minor | 0 | 7A | 140 BPM | ||
Violin Concerto: III. Sonata | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | A♭ Major | 2 | 4B | 88 BPM | ||
Tierkreis, Work No. 41 1/2: No. 7. Leo | Karlheinz Stockhausen, Peter Söderberg, Sven Aberg | E Major | 0 | 12B | 111 BPM | ||
Must the Devil Have All the Good Tunes?: II. Much Slower; Gently, Relaxed | John Adams, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | F Major | 1 | 7B | 60 BPM | ||
Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": I. Suo (The Marsh) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | F♯ Major | 1 | 2B | 119 BPM | ||
Twelve Preludes For Piano (1953): I | Galina Ustvolskaya, Marianne Schroeder | D Minor | 0 | 7A | 68 BPM | ||
Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | ||
Six Little Piano Pieces, Op. 19: Leicht, zart | Arnold Schoenberg, Paul Jacobs | G Major | 0 | 9B | 76 BPM | ||
Plan & Elevation: III. The Herbaceous Border | Caroline Shaw, Attacca Quartet | E Minor | 2 | 9A | 112 BPM |