Qigang Chen, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu made "The Joy of Suffering: 5. Melancholy relief" available on June 28, 2019. With The Joy of Suffering: 5. Melancholy relief being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu's "Gateways. Chen – Kreisler – Rachmaninov" album is number 10 out of 24. The Joy of Suffering: 5. Melancholy relief is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of The Joy of Suffering: 5. Melancholy relief by Qigang Chen, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu to be Adagio (slowly with great expression) because the track has a tempo of 67 テンポ, a half-time of 34テンポ, and a double-time of 134 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oriental | Pattapio Silva, Guilherme Andreas, Gianne Ge Zhu | D Minor | 2 | 7A | 74 BPM | ||
Lyra Angelica: I. Adagio | William Alwyn, Richard Hickox, City of London Sinfonia, Rachel Masters | C Minor | 1 | 5A | 71 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Hymnus for 12 Cellos, Op. 57 | Julius Klengel, Andreas Brantelid, Ingemar Brantelid, Henrik Dam Thomsen, Øystein Sonstad, Niels Ullner, Emilie Eskær, Jakob La Cour, Louisa Schwab, Morten Zeuthen, Live Johansson, Samira Dayyani, Lea Brøndal | D♭ Minor | 1 | 12A | 114 BPM | ||
9 Preludes, Op. 1: No. 1 in B Minor. Andante ma non troppo | Karol Szymanowski, Krystian Zimerman | G Minor | 0 | 6A | 78 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM | ||
Träumerei, Op. 15 No. 7 | Robert Schumann, Michael Collins, Michael McHale | F Major | 0 | 7B | 139 BPM | ||
2 Dialogues with Postscript (Version for Piano & String Orchestra): No. 3, Morning Serenade | Valentin Silvestrov, Iryna Starodub, Kiev Virtuosi Chamber Orchestra, Dmitry Yablonsky | E Minor | 0 | 9A | 115 BPM | ||
Après un Rêve Op.7, No.1 | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 1 | 4A | 96 BPM |