"Amor og Digteren (Cupid and the Poet), Op. 54, FS 150: Cupid and the Poet (Amor og Digteren), Op. 54, FS 150" by Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen was released on August 1, 2005. Amor og Digteren (Cupid and the Poet), Op. 54, FS 150: Cupid and the Poet (Amor og Digteren), Op. 54, FS 150 is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. There are a total of 13 in the song's album "Nielsen: Aladdin Suite / Pan and Syrinx / Helios Overture". In this album, this song's track order is #8. In terms of popularity, Amor og Digteren (Cupid and the Poet), Op. 54, FS 150: Cupid and the Poet (Amor og Digteren), Op. 54, FS 150 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Amor og Digteren (Cupid and the Poet), Op. 54, FS 150: Cupid and the Poet (Amor og Digteren), Op. 54, FS 150 by Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen having a テンポ of 90 with a half-time of 45 テンポ and a double-time of 180 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, (Suite), Op. 46: VII. Mélisande At The Spinning Wheel | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 140 BPM | ||
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
Symphony No. 4: IV. Sehr behaglich | Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin, Christiane Karg | E Minor | 1 | 9A | 80 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
Petite messe solennelle: Kyrie | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone | C Major | 0 | 8B | 120 BPM | ||
3 Romances, Op. 11: I. Andante | Clara Schumann, Yoshiko Iwai | E♭ Minor | 0 | 2A | 106 BPM | ||
Little Suite, Op.1: 3. Finale | Carl Nielsen, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 3 | 11B | 85 BPM | ||
Symphony No. 1 in G Minor, Op. 7: III. Allegro comodo | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | E Major | 3 | 12B | 130 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM |