On 1984, the song "Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air" was released by Johann Sebastian Bach, János Rolla, Franz Liszt Chamber Orchestra. With this song being about 5 minutes long, at 5:23, "Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air" by Johann Sebastian Bach, János Rolla, Franz Liszt Chamber Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 15 in Canon & Gigue (Apex) by János Rolla, Franz Liszt Chamber Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air by Johann Sebastian Bach, János Rolla, Franz Liszt Chamber Orchestra is Andante (at a walking pace), since this song has a tempo of 106 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Pavane Op. 50 (orch. version, 1887) - 1993 Remastered Version | Gabriel Fauré, New Philharmonia Orchestra/Sir David Willcocks/Gareth Morris, Sir David Willcocks, New Philharmonia Orchestra | F♯ Minor | 0 | 11A | 130 BPM | ||
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
'La Tempesta di mare' (Storm at Sea) (Concerto in E flat op.8 no.5): Presto | Antonio Vivaldi, Anthony Marwood | C Minor | 4 | 5A | 136 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Brandenburg Concerto No. 2 In F Major, BWV 1047: I. [Allegro] | Cologne Chamber Orchestra, Johann Sebastian Bach | F Major | 4 | 7B | 108 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
Pachelbel: Canon | Johann Pachelbel, I Musici | B Minor | 1 | 10A | 85 BPM | ||
Cello Concerto in B flat, G.482: 2. Adagio non Troppo | Luigi Boccherini, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Minor | 1 | 6A | 90 BPM | ||
Franck / Arr. Kenner: Mass, Op. 12, FWV 61: Panis Angelicus | César Franck, Kyung Wha Chung | G Major | 0 | 9B | 83 BPM |