"Années de pèlerinage I, S. 160: VII. Eglogue" by Franz Liszt, Lazar Berman was released on January 1, 1977. The duration of Années de pèlerinage I, S. 160: VII. Eglogue is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Années de pèlerinage I, S. 160: VII. Eglogue's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Franz Liszt, Lazar Berman's "Liszt: Années de Pèlerinage" album is number 7 out of 26. Années de pèlerinage I, S. 160: VII. Eglogue is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Années de pèlerinage I, S. 160: VII. Eglogue by Franz Liszt, Lazar Berman to be Adagio (slowly with great expression) because the track has a tempo of 71 テンポ, a half-time of 36テンポ, and a double-time of 142 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 11 in A Major, K. 331: 1. Theme (Andante grazioso) | Wolfgang Amadeus Mozart, Alicia de Larrocha | A Major | 0 | 11B | 91 BPM | ||
Piano Sonata in G Minor: I. Allegro molto agitato | Fanny Mendelssohn, Heather Schmidt | D Major | 2 | 10B | 82 BPM | ||
12 Etudes, Op. 8 (1894): No. 5 Brioso | Alexander Scriabin, Alexander Paley | E Major | 0 | 12B | 70 BPM | ||
Sonatina in G Major, Op. 36 No. 2: II. Allegretto | Muzio Clementi, Howard Shelley | E Minor | 1 | 9A | 104 BPM | ||
Piano Sonata No. 1 in E-Flat Major, Op. 1, No. 1, H. 8A: I. Allegro moderato | John Field, Benjamin Frith | B♭ Major | 0 | 6B | 135 BPM | ||
Romances, Op. 16, TH 95: 1. Berceuse | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | E Major | 0 | 12B | 68 BPM | ||
Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | ||
Mazurka No.5 in B Flat, Op.7 No.1 | Frédéric Chopin, Vladimir Ashkenazy | B♭ Major | 1 | 6B | 115 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 1, An Robert Schumann | Bedřich Smetana, Jitka Čechová | E Major | 1 | 12B | 136 BPM | ||
Ravel: Sérénade grotesque, M. 5 | Maurice Ravel, Bertrand Chamayou | E♭ Minor | 1 | 2A | 69 BPM |