That's the Lick (Take 7)

Jonah Jones and his Swing Band, Tyree Glenn, Hilton Jefferson, Ike Quebec, Buster Harding, Danny Barker, Milt Hinton, J.C. Heard, Al Gibson
Butterflies in the Rain
3:16 1986日
テンポ
130
キー
F Major
キャメロットミュージックキー
7B

リンクを埋め込む

共有

That's the Lick (Take 7) - Jonah Jones and his Swing Band, Tyree Glenn, Hilton Jefferson, Ike Quebec, Buster Harding, Danny Barker, Milt Hinton, J.C. Heard, Al Gibson 情報

音響性
96%
ダンサビリティ
66%
エネルギー
22%
手段性
1%
活気
16%
ラウドネス
77%
話し言葉
4%
価数
72%
人気
ラウドネス
-14.069 dB

まとめ

Jonah Jones and his Swing Band, Tyree Glenn, Hilton Jefferson, Ike Quebec, Buster Harding, Danny Barker, Milt Hinton, J.C. Heard, Al Gibson made "That's the Lick (Take 7)" available on 1986. The duration of That's the Lick (Take 7) is about 3 minutes long, at 3:16. Based on our data, "That's the Lick (Take 7)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 21 out of 25 in Butterflies in the Rain by Jonah Jones and his Swing Band. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, That's the Lick (Take 7)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

That's the Lick (Take 7) テンポ

The tempo marking of That's the Lick (Take 7) by Jonah Jones and his Swing Band, Tyree Glenn, Hilton Jefferson, Ike Quebec, Buster Harding, Danny Barker, Milt Hinton, J.C. Heard, Al Gibson is Allegro (fast, quick, and bright), since this song has a tempo of 130 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.

That's the Lick (Take 7) キー

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Somebody Stole My Gal - Instrumental by Benny GoodmanSomebody Stole My Gal - InstrumentalBenny GoodmanA♭ Major34B178 BPM
Barney's Bounce by Barney Bigard & His OrchestraBarney's BounceBarney Bigard & His OrchestraC Minor55A109 BPM
Tuxedo Junction by Glenn MillerTuxedo JunctionGlenn MillerB♭ Major16B112 BPM
Circus In Rhythm by Lester YoungCircus In RhythmLester YoungF Minor44A212 BPM
Chicken and Waffles by Bunny BeriganChicken and WafflesBunny BeriganB♭ Major56B115 BPM
Singin' In The Rain (04-26-35) by Valaida SnowSingin' In The Rain (04-26-35)Valaida SnowE♭ Major25B185 BPM
Who Wouldn't Love You by Kay KyserWho Wouldn't Love YouKay KyserE♭ Major25B115 BPM
Uptown Blues by Jimmie LuncefordUptown BluesJimmie LuncefordC Major38B90 BPM
Betsy: Blue Skies by Maxine Sullivan, Frank Newton, Buster Bailey, Pete Brown, Babe Russin, John Kirby, Claude Thornhill, O'Neill SpencerBetsy: Blue SkiesMaxine Sullivan, Frank Newton, Buster Bailey, Pete Brown, Babe Russin, John Kirby, Claude Thornhill, O'Neill SpencerG Major09B138 BPM
Across the Track Blues - 1999 Remastered - Take 1 by Duke EllingtonAcross the Track Blues - 1999 Remastered - Take 1Duke EllingtonB♭ Major06B89 BPM
ISRC
USC9R8601821
レコードレーベル
L-M Records/RCA Records