"King of Glory, King of Peace" by The Choir of Trinity College, Melbourne, John O'Donnell, Michael Leighton Jones had its release date on November 9, 2012. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. King of Glory, King of Peace's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 50 Best-Loved Hymns, so we believe that "King of Glory, King of Peace" is a single. King of Glory, King of Peace is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of King of Glory, King of Peace by The Choir of Trinity College, Melbourne, John O'Donnell, Michael Leighton Jones is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Softly | Will Todd, Trinity College, Melbourne, Christopher Watson, The Choir of Trinity College, Melbourne | F Major | 0 | 7B | 69 BPM | ||
Adam lay ybounden | John Ireland, Lincoln Cathedral Choir, Aric Prentice | C Minor | 1 | 5A | 81 BPM | ||
Psalm 16 (Leominster) | Independent Presbyterian Church Savannah, Scottish Festival Singers | E♭ Major | 1 | 5B | 84 BPM | ||
Praise to the Lord, the Almighty, the King of Creation (Arr. Christopher Willcock) | Anonymous, Christopher Willcock, Joachim Neander, Catherine Winkworth, William Sterndale Bennett, The Choir of Trinity College, Melbourne, Jonathan Bradley, Michael Leighton Jones | F Major | 3 | 7B | 77 BPM | ||
Psalm 4 "Hear Me When I Call, O God of My Righteousness" | Philip Moore, Exeter Cathedral Choir, Paul Morgan, Andrew Millington | E Minor | 0 | 9A | 90 BPM | ||
Sieh, Wie Ist Die Welle Klar | Georg Friedrich Daumer, Johannes Brahms, One Voice Mixed Chorus, Jane Ramseyer Miller | E♭ Major | 0 | 5B | 115 BPM | ||
Now to the Lord's House Let Us Go (Psalm 122b) | Crown & Covenant | G Minor | 2 | 6A | 73 BPM | ||
Come, Risen Lord | William Ferris Chorale | B♭ Major | 2 | 6B | 65 BPM | ||
Sketch for Acappella (For Vocal Quartet) | Dora Garcidueñas, María José, Tom Smith, Samuel Penderbayne | B♭ Minor | 4 | 3A | 77 BPM | ||
Jerusalem the golden | Alexander Ewing, Jamal Sutton, Sidney Sussex College Choir, Cambridge, David Skinner | C Major | 1 | 8B | 127 BPM |