"Seven Arabesques, H.201: V. Adagio" by Bohuslav Martinů, Raphael Wallfisch, John York was released on December 18, 2020. The duration of Seven Arabesques, H.201: V. Adagio is about 3 minutes long, at 3:27. Based on our data, "Seven Arabesques, H.201: V. Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since Seven Arabesques, H.201: V. Adagio only contains only one song in the album, we like to consider this song as a single. Seven Arabesques, H.201: V. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Seven Arabesques, H.201: V. Adagio by Bohuslav Martinů, Raphael Wallfisch, John York having a テンポ of 45 with a half-time of 22 テンポ and a double-time of 90 テンポ, we would consider this track to have a Grave (very slow) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Die Reise um die Erde in 80 Tagen (Version Without Narration): Prelude | Franz von Suppé, Janacek Philharmonic Orchestra, Dario Salvi | F Major | 0 | 7B | 144 BPM | ||
Partita Suite No. 1 for String Orchestra, H.212: IV. Poco Allegretto | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | G Major | 3 | 9B | 128 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 16. Allegretto | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | F♯ Major | 0 | 2B | 105 BPM | ||
Suite for String Orchestra, JW6 No. 2: IV. Presto | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | G Major | 1 | 9B | 86 BPM | ||
String Quartet No. 6, H. 312: II. Andante | Bohuslav Martinů, Stamic Quartet | F Major | 1 | 7B | 91 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: III. Siciliana. Andantino | Ottorino Respighi, Riccardo Chailly, Orchestra Filarmonica Della Scala | C Minor | 1 | 5A | 131 BPM | ||
Phantasy Quintet: II. Scherzo: Prestissimo | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E Minor | 1 | 9A | 82 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: IV. Vivace | Bedřich Smetana, Pavel Haas Quartet | E Major | 3 | 12B | 125 BPM |