Moritz Moszkowski, Antony Gray, Nickush Bhudia made "Le maître et l'élève, Op. 96: No. 2, Moment musical" available on July 9, 2021. With Le maître et l'élève, Op. 96: No. 2, Moment musical being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Antony Gray's "Il maestro e lo scolare: Piano Duets for Teacher and Pupil" album is number 6 out of 84. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Le maître et l'élève, Op. 96: No. 2, Moment musical is currently average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Le maître et l'élève, Op. 96: No. 2, Moment musical by Moritz Moszkowski, Antony Gray, Nickush Bhudia to be Andante (at a walking pace) because the track has a tempo of 100 テンポ, a half-time of 50テンポ, and a double-time of 200 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM | ||
Orpheus' Lament & Dance of the Blessed Spirits (Arr. Kempff) | Christoph Willibald Gluck, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
24 Preludes, Op. 37, BV 181: No. 15 in D-Flat Major | Ferruccio Busoni, Holger Groschopp | D♭ Major | 0 | 3B | 133 BPM | ||
Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM | ||
Nocturne No. 13 in D Minor | John Field, Benjamin Frith | F Major | 1 | 7B | 69 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Paraphrases pour piano sur le thème favori et obligé: No. 4, Valse | Anatoly Lyadov, Antony Gray, Dominic Ogbechie | C Major | 1 | 8B | 139 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Waltz, D. 1/14, "Kupelwieser-Walzer" | Franz Schubert, Michael Endres | F♯ Major | 0 | 2B | 113 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM |