"Tenebrae Responsories for Maundy Thursday: In monte Oliveti: b. Spiritus quidem promptus est" by Carlo Gesualdo, The Gesualdo Six, Owain Park was released on March 4, 2022. With Tenebrae Responsories for Maundy Thursday: In monte Oliveti: b. Spiritus quidem promptus est being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in The Gesualdo Six, Thomas Tallis, Owain Park, Judith Bingham, Carlo Gesualdo, Joanna Ward's "Gesualdo: Tenebrae Responsories for Maundy Thursday; Tallis: Lamentations" album is number 17 out of 58. On top of that, United Kingdom appears to be the country where this track was created. Tenebrae Responsories for Maundy Thursday: In monte Oliveti: b. Spiritus quidem promptus est is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tenebrae Responsories for Maundy Thursday: In monte Oliveti: b. Spiritus quidem promptus est by Carlo Gesualdo, The Gesualdo Six, Owain Park to be Lento (slowly) because the track has a tempo of 58 テンポ, a half-time of 29テンポ, and a double-time of 116 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Communion: O sacrum convivium à 5 | Andrea Gabrieli, Gabrieli, Paul McCreesh | C Major | 0 | 8B | 135 BPM | ||
D'un autre amer: D'ung aultre amer | Johannes Ockeghem, Capilla Flamenca | D Minor | 1 | 7A | 86 BPM | ||
Tenebrae Responsories, Sabbato sancto: IX. Sepulto Domino | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 2 | 8A | 71 BPM | ||
Drop, Drop, Slow Tears a 4 | Orlando Gibbons, Gabrieli, Paul McCreesh | E Major | 0 | 12B | 72 BPM | ||
Missa Noe Noe: II. Gloria | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | D Minor | 1 | 7A | 124 BPM | ||
Befiehl dem Engel, daß er komm, BuxWV 10 | Dietrich Buxtehude, Collegium Ad Mosam, Huub Ehlen, Hannah Morrison, Hanna Kopra, Immo Schroder, Benoît Giaux | A Major | 1 | 11B | 88 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
Prima die Lectio prima: VIII. Daleth | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | A♭ Minor | 1 | 1A | 72 BPM | ||
All-night Vigil, Op. 37, "Vespers": Resurrection hymn (Troparion): This day of salvation has com to the world | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | G Major | 1 | 9B | 87 BPM |