Heinrich Schütz, Isabel Schicketanz, Aneta Petrasová, Tobias Mathger, Martin Schicketanz, Matthias Müller, Stefan Maass, Michaela Hasselt, Dresdner Kammerchor, Hans-Christoph Rademann's 'Becker Psalter, Op. 5: No. 159, Lobt Gott in seinem Heiligtum, SWV 255 "Psalm 150"' came out on February 1, 2017. The duration of Becker Psalter, Op. 5: No. 159, Lobt Gott in seinem Heiligtum, SWV 255 "Psalm 150" is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Becker Psalter, Op. 5: No. 159, Lobt Gott in seinem Heiligtum, SWV 255 "Psalm 150"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Schütz: Becker-Psalter, Op. 5 (Complete Recording Vol. 15)". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Germany. The popularity of Becker Psalter, Op. 5: No. 159, Lobt Gott in seinem Heiligtum, SWV 255 "Psalm 150" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Becker Psalter, Op. 5: No. 159, Lobt Gott in seinem Heiligtum, SWV 255 "Psalm 150" by Heinrich Schütz, Isabel Schicketanz, Aneta Petrasová, Tobias Mathger, Martin Schicketanz, Matthias Müller, Stefan Maass, Michaela Hasselt, Dresdner Kammerchor, Hans-Christoph Rademann having a テンポ of 172 with a half-time of 86 テンポ and a double-time of 344 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Noe Noe: II. Gloria | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | D Minor | 1 | 7A | 124 BPM | ||
Sestina, prima parte: "Incenerite spoglie" | Claudio Monteverdi, La Chapelle Vocale de l'Université de Lausanne, Jean-Christophe Aubert | B♭ Minor | 1 | 3A | 69 BPM | ||
Guerrero: Dios los extremos condena | A5 Vocal Ensemble, Francisco Guerrero | G Minor | 1 | 6A | 126 BPM | ||
Romanzen, Book 1, Op. 69: No. 6. Die Kapelle | Robert Schumann, Aquarius, Marc Michael de Smet | B Major | 0 | 1B | 83 BPM | ||
Versicle/Response: Deus in adjutorium/Domine in adiuvandum | Claudio Monteverdi, Choir Of The Enlightenment, Eamonn Dougan, Robert Howarth, Orchestra of the Age of Enlightenment | E♭ Major | 1 | 5B | 82 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Kleine geistliche Konzerte I, Op. 8: No. 8, Das Blut Jesu Christi, SWV 298 | Heinrich Schütz, Isabel Schicketanz, Ulrike Hofbauer, Dorothee Mields, David Erler, Georg Poplutz, Andreas Wolf, Felix Schwandtke, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann, Ludger Rémy | A♭ Minor | 1 | 1A | 108 BPM | ||
Quel Augellin Che Canta | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | A♭ Minor | 1 | 1A | 77 BPM | ||
Exaudi, Deus, orationem meam in F Minor, IAG 39 | Giovanni Gabrieli, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 100 BPM | ||
Mirabile mysterium | Jacobus Gallus, Owain Park, The Gesualdo Six | E Major | 1 | 12B | 125 BPM |