"Orchestral Suite No. 2 / The Musical Offering: Badinerie / Ricercare - Studio" by Radio Luxembourg Symphony Orchestra was released on November 1, 1988. Since Orchestral Suite No. 2 / The Musical Offering: Badinerie / Ricercare - Studio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "The World's Most Beautiful Music Vol 1". In this album, this song's track order is #4. Based on our statistics, Orchestral Suite No. 2 / The Musical Offering: Badinerie / Ricercare - Studio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orchestral Suite No. 2 / The Musical Offering: Badinerie / Ricercare - Studio by Radio Luxembourg Symphony Orchestra having a テンポ of 120 with a half-time of 60 テンポ and a double-time of 240 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Piano Sonata No.8 In C Minor, Op.13 -"Pathétique": 2. Adagio cantabile | Ludwig van Beethoven, Daniel Barenboim | A♭ Major | 0 | 4B | 97 BPM | ||
Concerto #6 for Flute in G Minor, RV 439 "La notte": V. Allegro | Antonio Vivaldi, Radio Luxembourg Symphony, Louis de Froment [Conductor], Elizabeth Schwall, flute, Louis de Froment, Radio Luxembourg Symphony Orchestra | G Minor | 4 | 6A | 120 BPM | ||
Symphony #6, Pathetique: Allegro Molto Vivace - Studio | Radio Luxembourg Symphony Orchestra | G Major | 1 | 9B | 143 BPM | ||
Hallelujah | Royal Liverpool Philharmonic Orchestra, James Morgan | A Minor | 1 | 8A | 113 BPM | ||
Rimsky-Korsakov: Scheherazade, Op. 35: II. The Kalendar Prince (Excerpt) | Nikolai Rimsky-Korsakov, Riccardo Muti, Philadelphia Orchestra | B Minor | 0 | 10A | 146 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Moses and Marco Polo Suite: Theme from "Moses" | Ennio Morricone, Yo-Yo Ma, Roma Sinfonietta | C Minor | 1 | 5A | 109 BPM | ||
Berceuse - Studio | Radio Luxembourg Symphony Orchestra | D Major | 1 | 10B | 71 BPM | ||
Estrellita | Manuel Ponce, Joshua Bell, Michael Stern | F♯ Major | 2 | 2B | 118 BPM |