David Conte, Matt Boehler, Kevin Korth's 'Everyone Sang: No. 4, Everyone Sang' came out on August 17, 2018. The duration of Everyone Sang: No. 4, Everyone Sang is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Everyone Sang: No. 4, Everyone Sang's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 23 in Everyone Sang: Vocal Music of David Conte by David Conte, Various Artists, Marika Kuzma, Nicole Paiement, Eric Dudley. In terms of popularity, Everyone Sang: No. 4, Everyone Sang is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Everyone Sang: No. 4, Everyone Sang by David Conte, Matt Boehler, Kevin Korth is Andante (at a walking pace), since this song has a tempo of 101 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Israel in Egypt, HWV 54: Part II, The Exodus: He sent a thick darkness over all the land (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
By Night when Others Soundly Slept | David Conte, Caritas Chamber Choir, Benedict Preece | E♭ Minor | 0 | 2A | 71 BPM | ||
O Schöne Nacht, Op. 92, No. 1 | Johannes Brahms, BYU Concert Choir, Brent Wells, Lindsay Bastian, Ethan Simpson, Blake Wayment, Bekah Johnson, Alex Palmer | A Major | 4 | 11B | 111 BPM | ||
Requiem, Op. 9: VIII. Libera me | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Chœur de filles Cæcilia, Yves Castagnet, Christophe Gautier, Henri Chalet, Alice Korovitch | B♭ Major | 0 | 6B | 131 BPM | ||
Mass of the Americas: VI. Agnus Dei | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | A Minor | 1 | 8A | 105 BPM | ||
Mass No. 2 in E Minor, WAB 27 (1882 Version): IV. Sanctus | Anton Bruckner, Bavarian Radio Chorus, Peter Dijkstra, Munich Radio Orchestra | D♭ Minor | 2 | 12A | 116 BPM | ||
Invocation | David Conte, Cappella SF, Keisuke Nakagoshi, Kevin Korth, Artie Storch, Stan Muncy | G Major | 0 | 9B | 68 BPM | ||
O Taste and See | Ralph Vaughan Williams, The Choir Of Westminster Abbey, James O'Donnell | A Minor | 0 | 8A | 75 BPM | ||
Four Songs of Love: II. Until the Daybreak | Sven-David Sandström, South Dakota Chorale, Brian A. Schmidt | A♭ Major | 0 | 4B | 137 BPM | ||
Mass: Warm-Up | Leonard Bernstein, Tom Blomster, Susan Brown, Eric Plutz, St. John's Episcopal Cathedral Choir, Donald Pearson | D♭ Major | 2 | 3B | 106 BPM |