"Tristitia obsedit me / Infelix ego" by Jacob Clemens non Papa, New York Polyphony was released on March 6, 2012. Since Tristitia obsedit me / Infelix ego is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 12 out of 15 in endBeginning by New York Polyphony. Tristitia obsedit me / Infelix ego is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tristitia obsedit me / Infelix ego by Jacob Clemens non Papa, New York Polyphony is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mistresse Nichols Almand | John Dowland, The Rose Consort Of Viols, Jacob Heringman | A♭ Major | 0 | 4B | 114 BPM | ||
Missa Prolationum: Sanctus | Johannes Ockeghem, Musica Ficta, Bo Holten | F♯ Major | 1 | 2B | 133 BPM | ||
Chacona: "Una sarao de la chacona" | Juan Arañés, Piffaro | B♭ Minor | 1 | 3A | 104 BPM | ||
Colla iugo subdere - Bona condit cetera - Libera me, Domine (Motette) | Philippe de Vitry, Sequentia | C Major | 1 | 8B | 81 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Crucifixus a 8 voci | Antonio Lotti, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM | ||
The Little Consort, Suite No. 7 in G Minor and G Major: III. Courante | Matthew Locke, Phantasm, Elizabeth Kenny | F♯ Major | 1 | 2B | 98 BPM | ||
O Jupiter / O diva sollers virgo | Adam von Fulda, Ciaramella | F♯ Major | 0 | 2B | 67 BPM | ||
Pavin | Innocentio Alberti, Fretwork | F Major | 2 | 7B | 68 BPM | ||
Mouton: Salva Nos, Domine | The Tallis Scholars, Peter Phillips | G Major | 2 | 9B | 73 BPM |