Giuseppe Verdi, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta's 'Aida / Act 2: Marcia' came out on July 1, 2016. Aida / Act 2: Marcia is about six minutes long, preciously at 6:28, making this song fairly long compared to other songs. This song is part of Verdi: Aida by Giuseppe Verdi, Andrea Bocelli, Kristin Lewis, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta. The song's track number on the album is #13 out of 33 tracks. Based on our statistics, Aida / Act 2: Marcia's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Aida / Act 2: Marcia by Giuseppe Verdi, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta has a tempo of 130 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Aida / Act 2: Marcia being at 130 テンポ, the half-time would be 65 テンポ with a double-time of 260 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Traviata / Act 2: "Pura siccome un angelo" | Giuseppe Verdi, Ileana Cotrubas, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | A♭ Major | 1 | 4B | 78 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Soli soli nella notte | Leo Nucci, Salotto Ottocento Ensemble | F Major | 3 | 7B | 64 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 166 BPM | ||
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM | ||
Wo man lacht und lebt, Schnellpolka, Op. 108 | Eduard Strauss, Zubin Mehta, Wiener Philharmoniker | D Major | 5 | 10B | 84 BPM | ||
Nabucco / Act IV: Dio di Giuda! | Giuseppe Verdi, Piero Cappuccilli, Volker Horn, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | C Major | 1 | 8B | 68 BPM | ||
Studenten Polka, Polka française, Op. 263 | Johann Strauss II, Zubin Mehta, Wiener Philharmoniker | F Major | 1 | 7B | 81 BPM | ||
Introduction et Rondo capriccioso, Op.28, R. 188 | Camille Saint-Saëns, Itzhak Perlman, New York Philharmonic, Zubin Mehta | A Minor | 1 | 8A | 103 BPM | ||
Mi fa male | Anna Netrebko | A Major | 4 | 11B | 82 BPM |