"7 Papillons: No. 7. —" by Kaija Saariaho, Anssi Karttunen was released on November 1, 2013. With 7 Papillons: No. 7. — being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 10 in the song's album "Saariaho: Du cristal - …à la fumée - 7 Papillons - Nymphéa". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Finland. The popularity of 7 Papillons: No. 7. — is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 7 Papillons: No. 7. — by Kaija Saariaho, Anssi Karttunen having a テンポ of 185 with a half-time of 92 テンポ and a double-time of 370 テンポ, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
For Bunita Marcus: Mm. 1270-1372 | Morton Feldman, Aki Takahashi | D Major | 0 | 10B | 63 BPM | ||
Cantus In Memory Of Benjamin Britten | Arvo Pärt, Staatsorchester Stuttgart, Dennis Russell Davies | A Minor | 1 | 8A | 67 BPM | ||
Shaker Loops (version for string orchestra): Shaking and Trembling | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 1 | 8B | 146 BPM | ||
Umi e (Toward the Sea): I - The Night | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | F♯ Major | 0 | 2B | 71 BPM | ||
The Evergreen: IV. Root | Caroline Shaw, Attacca Quartet | B♭ Major | 1 | 6B | 171 BPM | ||
Musica ricercata No. 7 in B-Flat Major | György Ligeti, Khatia Buniatishvili | E♭ Major | 0 | 5B | 87 BPM | ||
L'Amour de loin: Quatrième acte. Deuxième tableau : Songe. | Kaija Saariaho, Deutsches Symphonie-Orchester Berlin, Kent Nagano | B♭ Major | 2 | 6B | 133 BPM | ||
Serenade: II. Larghetto | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | C Minor | 1 | 5A | 83 BPM | ||
Three Miniatures for Solo Violin: I. A Lullaby for Lalit | George Benjamin, Carolin Widmann | D Major | 1 | 10B | 108 BPM | ||
Pari Intervallo | Arvo Pärt, Christopher Bowers-Broadbent | E♭ Minor | 0 | 2A | 128 BPM |