Maliheh Moradi, Pouria Akhavas, Ehsan Matoori's 'Whispers of Solitude' came out on January 2, 2024. The duration of Whispers of Solitude is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Whispers of Solitude's duration is considered a little bit shorter than the average duration of a typical track. Since Whispers of Solitude only contains only one song in the album, we like to consider this song as a single. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Whispers of Solitude's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Whispers of Solitude by Maliheh Moradi, Pouria Akhavas, Ehsan Matoori has a tempo of 132 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Whispers of Solitude being at 132 テンポ, the half-time would be 66 テンポ with a double-time of 264 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saz-o Avaz, Pt. VI (Tark-e sharab kardam-o ...) - 2023 Remastered Version | Marzieh | E♭ Major | 4 | 5B | 76 BPM | ||
Passages (Bogzarad) | Hamed Nikpay, Homayoun Sabzevari | A♭ Major | 5 | 4B | 86 BPM | ||
Song with Dotar and Balaban | Sima Bina | D Major | 3 | 10B | 87 BPM | ||
Yaare Aziz | Soheil Nafisi | B Minor | 3 | 10A | 177 BPM | ||
Mangar | Mohsen Namjoo | B Minor | 4 | 10A | 94 BPM | ||
Hafez, Act II Scene 3: Departure of Hafez | Behzad Abdi, Mohammad Motamedi, Es'haq Anvar, Mohammad Zakerhossein, Vesal Alavi, Alireza Mahdizadeh, Rasoul Rahoo, Credo Chamber Choir, Ukraine National Symphony Orchestra, Vladimir Sirenko | G Major | 4 | 9B | 135 BPM | ||
Farangis | Emad Raam | C Minor | 3 | 5A | 93 BPM | ||
روزی تو خواهی آمد | Hossein Nurshargh | G Major | 2 | 9B | 114 BPM | ||
Leham | Mohammadreza | B Minor | 7 | 10A | 120 BPM | ||
Iranian Tar 109 (Tabriz Bazar) | Ali Ghamsari | B Major | 6 | 1B | 102 BPM |