"2 Danses, "Danses sacree et profane": Danse profante" by Claude Debussy, Andrea Vigh, Budapest Strings, Karoly Botvay was released on January 1, 1993. With this song being about 5 minutes long, at 5:05, "2 Danses, "Danses sacree et profane": Danse profante" by Claude Debussy, Andrea Vigh, Budapest Strings, Karoly Botvay is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Andrea Vigh, Karoly Botvay's "Harp Recital: Vigh, Andrea - Handel, G.F. / Dittersdorf, C.D. Von / Debussy, C. / Ravel, M." album is number 8 out of 12. On top of that, United States appears to be the country where this track was created. 2 Danses, "Danses sacree et profane": Danse profante is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 2 Danses, "Danses sacree et profane": Danse profante by Claude Debussy, Andrea Vigh, Budapest Strings, Karoly Botvay to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Hours: An Unwelcome Friend (From "The Hours") | Philip Glass, Nicolas Horvath | G Minor | 0 | 6A | 74 BPM | ||
Bagatelles et impromptus: VII. Love | Bedřich Smetana, William Howard | A Major | 0 | 11B | 71 BPM | ||
Préludes / Book 1, L. 117: No. 8, The Girl with the Flaxen Hair | Claude Debussy, Ruth Slenczynska | F♯ Major | 0 | 2B | 71 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Humoresque, Op. 101, No. 7 | Antonín Dvořák, Kim Dami | F♯ Major | 1 | 2B | 83 BPM | ||
Mahler / Transcr. Tharaud: Symphony No. 5 in C-Sharp Minor, Pt. 3: IV. Adagietto | Gustav Mahler, Alexandre Tharaud | F Major | 0 | 7B | 71 BPM | ||
Le carnaval des animaux: Saint-Saens - Carnival of the Animals: XIII. Le Cygne (The Swan) | Camille Saint-Saëns, Konstantin Scherbakov | F♯ Major | 0 | 2B | 75 BPM | ||
J.S. Bach: J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: 2. Air | Johann Sebastian Bach, Orpheus Chamber Orchestra | D Major | 3 | 10B | 65 BPM | ||
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Monique Haas | E Minor | 0 | 9A | 101 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM |