"Cuckoo Mountains: The Sinister Bandits Have Laid an Ambush" by Guo Tai Gong, Shanghai Philharmonic Orchestra, Yong-ji Wang had its release date on January 1, 1994. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Guo Tai Gong, Yong-ji Wang, Shanghai Philharmonic Orchestra's "Gong: Cuckoo Mountains - Beijing Opera Symphonic Suite" album is number 12 out of 17. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Cuckoo Mountains: The Sinister Bandits Have Laid an Ambush's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cuckoo Mountains: The Sinister Bandits Have Laid an Ambush by Guo Tai Gong, Shanghai Philharmonic Orchestra, Yong-ji Wang to be Allegro (fast, quick, and bright) because the track has a tempo of 132 テンポ, a half-time of 66テンポ, and a double-time of 264 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Slavonic Dances, Series I., Op. 46, B. 83: VII. in C minor. Allegro assai | Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner | A♭ Major | 0 | 4B | 131 BPM | ||
Renaissance Concerto: III. Recitative (After Monteverdi) | Lukas Foss, Amy Porter, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 147 BPM | ||
Suite bergamasque, L. 75: III. Clair de lune (Arr. for Orchestra by John Rutter) | Claude Debussy, John Rutter, Manchester Camerata | D♭ Major | 1 | 3B | 72 BPM | ||
Time of Yesterday | Paolo MIllon, Neon Lilith, Francine La Bouvette | F Major | 1 | 7B | 90 BPM | ||
Yes!, Act I: Ouverture | Maurice Yvain, Les Frivolités Parisiennes | F Major | 1 | 7B | 83 BPM | ||
Montgomery Variations: III. March | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Minor | 0 | 7A | 168 BPM | ||
Le Domino noir, S. 30: Overture | Daniel Auber, Estonian National Symphony Orchestra, Neeme Järvi | C Major | 3 | 8B | 108 BPM | ||
Slavonic Dance in E minor, Op. 72, No. 2 - Arranged for panflute and orchestra by Tony Britten | Antonín Dvořák, Gheorghe Zamfir, Studio Orchestra, Tony Britten | C Major | 1 | 8B | 76 BPM | ||
Solemn Moment | John Harry Cacavas | G Major | 3 | 9B | 150 BPM | ||
Dark Clouds In The Sky | Singapore Symphony Orchestra, Traditional | A Minor | 2 | 8A | 113 BPM |