Traditional, Wu Wei, Holland Baroque's 'Pferderennen (Arr. J. Steenbrink & T. Steenbrink for Sheng & Chamber Ensemble)' had a release date set for June 1, 2019. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Silk Baroque". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Pferderennen (Arr. J. Steenbrink & T. Steenbrink for Sheng & Chamber Ensemble) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pferderennen (Arr. J. Steenbrink & T. Steenbrink for Sheng & Chamber Ensemble) by Traditional, Wu Wei, Holland Baroque having a テンポ of 97 with a half-time of 48 テンポ and a double-time of 194 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Palästinalied | Walther von der Vogelweide, James Bowman, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 113 BPM | ||
Thou Dost Intercede for All, O Good One | The Choir of the Dormition Church of the Novodevichy Convent | A Major | 2 | 11B | 65 BPM | ||
Maudit soyt | Heinrich Isaac, Capilla Flamenca, Patrick Denecker | E♭ Major | 1 | 5B | 50 BPM | ||
Magnificent cum Alleluia (Song of Praise) | Nóirín Ní Riain | G Minor | 1 | 6A | 107 BPM | ||
Adoramus Te Domine | The Songs of Taize Session Singers | G Major | 1 | 9B | 86 BPM | ||
Bal gwened | Traditional, Jessica Baran-Surel | C Minor | 5 | 5A | 180 BPM | ||
Sisask : Gloria Patri... 24 Hymns for Mixed Choir : XVII Dominus vobiscum | Urmas Sisask, The Chamber Choir Eesti Projekt, Anne-Liis Treimann | D Major | 0 | 10B | 109 BPM | ||
Cherubic Hymn No. 7 | Dmitry Bortniansky, Glinka State Choir of St.Petersburg, Vladislav Chernoushenko | D Major | 0 | 10B | 82 BPM | ||
Akathistos Hymn: Kontakion | Choir of the Monks of Chevetogne | B Major | 1 | 1B | 83 BPM | ||
Salmo VI del Oficio de difuntos | Isaac Albéniz, Tansy Castledine, Carlos Fernandez Aransay | F Minor | 1 | 4A | 132 BPM |