On August 28, 2018, the song "Atulit Baldhamam Hem Selabhdeham Danujvan Krishanum Mantra Cheer Ke Chati Bole Apni Pavan Putra Hanuman Mere Man Mein Basey Hain Ram" was released by Vishal Khera. Atulit Baldhamam Hem Selabhdeham Danujvan Krishanum Mantra Cheer Ke Chati Bole Apni Pavan Putra Hanuman Mere Man Mein Basey Hain Ram appears to be safe for all ages as it is not explicit. The track order of this song in Vishal Khera's "Hanuman Chalisa 2018 Mahaveer Swami Ki Jai Pavansut Maruti Nandan Ashtak Mantras Arti Bhajans" album is number 2 out of 32. On top of that, United States appears to be the country where this track was created. The popularity of Atulit Baldhamam Hem Selabhdeham Danujvan Krishanum Mantra Cheer Ke Chati Bole Apni Pavan Putra Hanuman Mere Man Mein Basey Hain Ram is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Atulit Baldhamam Hem Selabhdeham Danujvan Krishanum Mantra Cheer Ke Chati Bole Apni Pavan Putra Hanuman Mere Man Mein Basey Hain Ram by Vishal Khera to be Presto (very, very fast) because the track has a tempo of 177 テンポ, a half-time of 88テンポ, and a double-time of 354 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Uth Jaag Musafir Bhor Bhayee | Vishal Khera | B♭ Minor | 9 | 3A | 95 BPM | ||
Rahe Ganga Me Jab Taq Le Pani | Indu Sonali | D♭ Major | 9 | 3B | 100 BPM | ||
Kaha Gelai Prem Jori | Mitali Ghosh, Sarita Devi, Aarti Devi | F Minor | 9 | 4A | 112 BPM | ||
Man Ke Milauna - Dadariya | Kavita Vasnik, Mahadev Hirwani | D♭ Major | 6 | 3B | 121 BPM | ||
Priyatak Ahan Chhi Jaan Yae | Jyoti Mishra, Rajiv Ranjan | E Minor | 9 | 9A | 75 BPM | ||
Lage Lagan Satnam ke | AbhiShek Mannade, Kuleshwari Sahu | B Minor | 8 | 10A | 72 BPM | ||
Mane Tara Vina Mann Naa Laage | Rajdeep Barot, Vanita Barot | F Major | 7 | 7B | 126 BPM | ||
Jug Jug Jiya Tu Lalanwa | Indu Sonali | F♯ Minor | 9 | 11A | 92 BPM | ||
Pardesi Tor Maya Ma | Dani Verma, Champa Nishad | A Minor | 4 | 8A | 143 BPM | ||
Dub Jala Suraj Tab Karela Ajor | Kalpana, Rakesh Mishra | F Major | 9 | 7B | 106 BPM |