Concert Royal No. 2 in D: IV. Air contrefugué. Vivement (Version for 2 Harpsichords and Theorbo) - François Couperin, Pierre Gallon, Matthieu Boutineau, Thibaut Roussel 情報

音響性: 96%
ダンサビリティ: 35%
エネルギー: 42%
手段性: 1%
活気: 5%
ラウドネス: 78%
話し言葉: 3%
価数: 95%
人気: 0%
ラウドネス: -13.41 dB

まとめ

On March 15, 2024, the song "Concert Royal No. 2 in D: IV. Air contrefugué. Vivement (Version for 2 Harpsichords and Theorbo)" was released by François Couperin, Pierre Gallon, Matthieu Boutineau, Thibaut Roussel. The duration of Concert Royal No. 2 in D: IV. Air contrefugué. Vivement (Version for 2 Harpsichords and Theorbo) is about 3 minutes long, at 3:00. Based on our data, "Concert Royal No. 2 in D: IV. Air contrefugué. Vivement (Version for 2 Harpsichords and Theorbo)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 26 in Couperin: Concerts Royaux by François Couperin, Pierre Gallon, Matthieu Boutineau. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Concert Royal No. 2 in D: IV. Air contrefugué. Vivement (Version for 2 Harpsichords and Theorbo)'s popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.

Concert Royal No. 2 in D: IV. Air contrefugué. Vivement (Version for 2 Harpsichords and Theorbo) テンポ

The tempo marking of Concert Royal No. 2 in D: IV. Air contrefugué. Vivement (Version for 2 Harpsichords and Theorbo) by François Couperin, Pierre Gallon, Matthieu Boutineau, Thibaut Roussel is Allegro (fast, quick, and bright), since this song has a tempo of 125 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Concert Royal No. 2 in D: IV. Air contrefugué. Vivement (Version for 2 Harpsichords and Theorbo) キー

E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

おすすめの曲

Track	Artist	Key	Energy	Camelot	BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits	Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra	D Minor	1	7A	67 BPM
Mazurka in C Minor	Mikhail Glinka, Inga Fiolia	C Minor	0	5A	106 BPM
Schumann: Kinderszenen, Op. 15: I Von fremden Ländern und Menschen	Robert Schumann, Maria João Pires	G Major	0	9B	67 BPM
Keyboard Suite No. 5 in E Major, HWV 430: IV. Air and Doubles ("Harmonious Blacksmith")	George Frideric Handel, Philip Edward Fisher	E Major	1	12B	126 BPM
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise	Nadia Boulanger, Nicolas Altstaedt, José Gallardo	F Major	0	7B	83 BPM
Nocturne No. 1 in E-Flat Major	John Field, Benjamin Frith	E♭ Major	0	5B	73 BPM
Nocturne No.6 In G Minor, Op.15 No.3	Frédéric Chopin, Maurizio Pollini	D Minor	0	7A	105 BPM
The Seasons, Op. 37b: VI. June, "Barcarolle"	Pyotr Ilyich Tchaikovsky, Yefim Bronfman	G Minor	0	6A	87 BPM
Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen	Franz Liszt, Mariam Batsashvili	A Minor	1	8A	120 BPM
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo)	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	A Minor	1	8A	79 BPM

ISRC: FR7JM2374100
レコードレーベル: L-M Records/RCA Records