Johann David Heinichen, Patrick Van Goethem, Christine Wolff, Dresdner Barockorchester, Hans-Christoph Rademann's 'Mass No. 11 in D Major / Sanctus: IVa. Sanctus' came out on April 1, 2015. With Mass No. 11 in D Major / Sanctus: IVa. Sanctus being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Johann David Heinichen, Christine Wolff, Monika Frimmer, Patrick Van Goethem, Kai Wessel, Uwe Stickert, Hermann Oswald, Jochen Kupfer, Andreas Scheibner, Egbert Junghanns, Dresdner Kammerchor, Hans-Christoph Rademann, Dresdner Barockorchester's "Johann David Heinichen: Messen" album is number 10 out of 35. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Mass No. 11 in D Major / Sanctus: IVa. Sanctus's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass No. 11 in D Major / Sanctus: IVa. Sanctus by Johann David Heinichen, Patrick Van Goethem, Christine Wolff, Dresdner Barockorchester, Hans-Christoph Rademann to be Allegro (fast, quick, and bright) because the track has a tempo of 125 テンポ, a half-time of 62テンポ, and a double-time of 250 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in G Minor: VI. Sarabande Dieux des Enfers (La naissance de Vénus, Acte II Scène 6, LWV 27) | Jean-Baptiste Lully, Céline Frisch | F♯ Major | 2 | 2B | 98 BPM | ||
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 - If my Celia could persuade | Claudio Monteverdi, Alfred Deller, Deller Consort | F Minor | 3 | 4A | 92 BPM | ||
Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | ||
Te Deum, H. 146: V. Tu devicto mortis aculeo | Marc-Antoine Charpentier, Véronique Gens, Jean-Paul Fouchécourt, William Christie, Bernard Deletré, Les Arts Florissants, Gilles Ragon | D♭ Major | 3 | 3B | 124 BPM | ||
Concerto for Oboe d'amore, Strings and Continuo in A: 1. Allegro | Antonio Lotti, Heinz Holliger, I Musici | A Major | 1 | 11B | 99 BPM | ||
Flute Sonata in G Major, QV 1:105: I. Allegro ma non troppo | Johann Joachim Quantz, Badinage | F♯ Minor | 2 | 11A | 138 BPM | ||
Concerto in F Major, Seibel 234: 2. Adagio | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 0 | 12B | 113 BPM | ||
Concerto in D Major, Op. 6 No. 1: I. Largo - Allegro | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | D♭ Major | 1 | 3B | 118 BPM | ||
Requiem in E-Flat Major: Sequentia: Dies irae | Johann David Heinichen, Mária Zádori, Lena Susanne Norin, Hans-Jörg Mammel, Klaus Mertens, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | A Major | 1 | 11B | 80 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: I. Andante | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 108 BPM |