"Bacchus et Ariadne, Suite No. 2, Op. 43: III. Bacchus danse seul (Allegro)" by Albert Roussel, Domingo Hindoyan, Royal Liverpool Philharmonic Orchestra was released on September 23, 2022. With Bacchus et Ariadne, Suite No. 2, Op. 43: III. Bacchus danse seul (Allegro) being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 11 in Debussy, Dukas, Roussel by Royal Liverpool Philharmonic Orchestra, Domingo Hindoyan. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bacchus et Ariadne, Suite No. 2, Op. 43: III. Bacchus danse seul (Allegro) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bacchus et Ariadne, Suite No. 2, Op. 43: III. Bacchus danse seul (Allegro) by Albert Roussel, Domingo Hindoyan, Royal Liverpool Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 93 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roussel: Symphony No. 3 in G Minor, Op. 42: I. Allegro vivo | Albert Roussel, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | C Minor | 2 | 5A | 83 BPM | ||
Shchedrin: Carmen Suite: VII. Second Intermezzo (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | E Major | 1 | 12B | 116 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": II. Larghetto | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | D Minor | 1 | 7A | 105 BPM | ||
Deux stèles orientées: on me dit | Jacques Ibert, Albert Roussel, Pierre de Ronsard, Silvia Vázquez, Vicent Gelós Ten | E♭ Minor | 2 | 2A | 130 BPM | ||
Wood Music - Concerto pour quintette à vent et orchestre | Olivier Calmel, Scoring Orchestra, Aurélien Azan Zielinski, Mayu Sato-Brémaud, Annelise Clément, Baptiste Gibier, Cyril Normand, Frank Sibold | B Major | 0 | 1B | 67 BPM | ||
Orchestral Suite No. 2, Op. 11: III. Kehtolaulu. Andante semplice | Helvi Leiviskä, Dalia Stasevska, Sinfonia Lahti | A Minor | 0 | 8A | 85 BPM | ||
Piano Trio in A Minor, M. 67: III. Passacaille. Très large | Maurice Ravel, Florestan Trio | F♯ Minor | 0 | 11A | 77 BPM | ||
Violin Sonata No. 2 in G Major, M. 77: III. Perpetuum mobile. Allegro | Maurice Ravel, Alina Ibragimova, Cédric Tiberghien | D Major | 2 | 10B | 163 BPM | ||
Sonatina | Morton Feldman, Marilyn Nonken, Stephen Marotto | B♭ Minor | 0 | 3A | 164 BPM | ||
Romeo and Juliet, Op. 64: The Montagues and Capulets | Sergei Prokofiev, Benjamin Beck, Marie Rosa Günter | E Minor | 0 | 9A | 99 BPM |