"Piano Sonata No. 2: II. Andante" by Carlos Chávez, Claudia Corona was released on June 1, 2009. Since Piano Sonata No. 2: II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Piano Recital: Corona, Claudia - Zyman, S. / Ruiz Armengol, M. / Chavez, C. / Villa-Lobos, H. / Ginastera, A. (Musica Latinoamericana)". In this album, this song's track order is #6. Based on our statistics, Piano Sonata No. 2: II. Andante's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Piano Sonata No. 2: II. Andante by Carlos Chávez, Claudia Corona having a テンポ of 132 with a half-time of 66 テンポ and a double-time of 264 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio in G Minor (formerly Attrib. Albinoni) | Remo Giazotto, I Musici | C Minor | 1 | 5A | 94 BPM | ||
Olimpica | José Herrera, Sociedad Camerista de México | D Major | 1 | 10B | 177 BPM | ||
Toccata and Fugue in D Minor BWV 565 | Hamburg Symphony Orchestra | D Minor | 1 | 7A | 91 BPM | ||
Vals Capricho, Op. 1 | Ricardo Castro, Edison Quintana | E Major | 1 | 12B | 75 BPM | ||
Danzón No. 2 | Arturo Márquez, Orquestra Sinfonica di Venezuela, Theodore Kuchar | D Minor | 2 | 7A | 102 BPM | ||
Vals Capricho | Orquesta Sinfónica Nacional | B Major | 3 | 1B | 103 BPM | ||
Danza Macabra | Camille Saint-Saëns, La Orquesta Y Coros Del Festival De Praga | G Minor | 1 | 6A | 81 BPM | ||
Sala de Retratos - Maria Asunsolo | Carlos Jiménez Mabarak, Carlos Chávez | F Major | 0 | 7B | 90 BPM | ||
Huapango | José Pablo Moncayo, Orquesta Filarmonica de la Ciudad de Mexico, Herrera de la Fuente | F Major | 3 | 7B | 121 BPM | ||
Polonaise No. 6, Op. 53, in A-flat | Frédéric Chopin, Arthur Rubinstein | E♭ Major | 3 | 5B | 83 BPM |