Johann Sebastian Bach, Hannah Morrison, Kate Symonds-Joy, English Baroque Soloists, John Eliot Gardiner's 'Mass in B Minor, BWV 232: Christe eleison (Soprano, Alto)' came out on November 6, 2015. With this song being about 5 minutes long, at 4:48, "Mass in B Minor, BWV 232: Christe eleison (Soprano, Alto)" by Johann Sebastian Bach, Hannah Morrison, Kate Symonds-Joy, English Baroque Soloists, John Eliot Gardiner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's "J.S. Bach: Mass in B Minor, BWV 232" album is number 2 out of 25. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Mass in B Minor, BWV 232: Christe eleison (Soprano, Alto)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass in B Minor, BWV 232: Christe eleison (Soprano, Alto) by Johann Sebastian Bach, Hannah Morrison, Kate Symonds-Joy, English Baroque Soloists, John Eliot Gardiner to be Allegro (fast, quick, and bright) because the track has a tempo of 130 テンポ, a half-time of 65テンポ, and a double-time of 260 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Non nobis, Domine | John Gardner, The Monteverdi Choir, John Eliot Gardiner | C Major | 0 | 8B | 139 BPM | ||
IV. Wie lieblich klingt es in den Ohren (Aria) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Yeree Suh | A♭ Major | 2 | 4B | 92 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: III. Herr, lehre doch mich | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | D Major | 2 | 10B | 67 BPM | ||
Psalmen Davids samt etlichen Moteten und Concerten, Op. 2, SWV 22-47: Wie lieblich sind deine Wohnungen, SWV 29, "Psalm 84" | Heinrich Schütz, The Monteverdi Choir, Edmund Connolly, John Eliot Gardiner | G Minor | 1 | 6A | 73 BPM | ||
Stabat Mater: 7. Eia Mater | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 125 BPM | ||
Gloria: Quoniam tu solus sanctus | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 2 | 3B | 136 BPM | ||
Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 6. Aria (Basso) (Versus V): Hier Ist Das Rechte Osterlamm | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Nico Van Der Meel, Johann Sebastian Bach, Sytse Buwalda, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
The Great Service: Nunc dimittis | William Byrd, The Monteverdi Choir, John Eliot Gardiner | D Minor | 0 | 7A | 126 BPM | ||
Kronstorfer Messe in D Minor, WAB 146: II. Sanctus | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 127 BPM |