Niccolò Paganini, Sergei Nakariakov's '24 Caprices Op. 1: No. 24 in A Minor' came out on March 16, 2017. With this song being about 5 minutes long, at 5:09, "24 Caprices Op. 1: No. 24 in A Minor" by Niccolò Paganini, Sergei Nakariakov is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 28 in the song's album "Paganini - Masterwork". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United Kingdom. 24 Caprices Op. 1: No. 24 in A Minor is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 24 Caprices Op. 1: No. 24 in A Minor by Niccolò Paganini, Sergei Nakariakov having a テンポ of 66 with a half-time of 33 テンポ and a double-time of 132 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: IV. Allegro con brio (live) | Dmitri Shostakovich, Martha Argerich, Alexander Verdernikov, Orchestra della Svizzera Italiana | D♭ Major | 4 | 3B | 80 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
Vivaldi: Concerto for Two Trumpets in C Major, RV 537: II. Largo | Antonio Vivaldi, Sir Neville Marriner, Bernard Soustrot, Maurice André, Academy of St. Martin in the Fields | C Major | 0 | 8B | 99 BPM | ||
Moto perpetuo, Op. 11 | Itzhak Perlman, Samuel Sanders | C Major | 5 | 8B | 182 BPM | ||
Slavonic Dance for Four Hands in E Minor, Op. 72/2: Dumka (Allegretto grazioso) | Antonín Dvořák, Khatia Buniatishvili | C Major | 0 | 8B | 77 BPM | ||
Tema e Variazioni in Mi Maggiore "Per la Granduchessa di Parma", MS 79 | Niccolò Paganini, Guido Rimonda, Camerata Ducale | F♯ Minor | 1 | 11A | 76 BPM | ||
Tzigane, M. 76 (Version for Violin & Orchestra) | Maurice Ravel, Itzhak Perlman, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 90 BPM | ||
Grieg: Violin Sonata No. 3 in C Minor, Op. 45: I. Allegro molto ed appassionato | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | C Minor | 1 | 5A | 83 BPM | ||
4 Notturni, MS 15 (Arr. for String Quartet by Anonymous): No. 1, Adagio - Allegretto | Niccolò Paganini, Reale Concerto | G Major | 1 | 9B | 79 BPM | ||
Carmen Fantasy, Op. 25: IV. Allegro moderato | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | A Major | 1 | 11B | 103 BPM |