الأوديات السّابعة والثّامنة، باللحن الأول is a melancholic, low-energy track by جوقة أبرشيّة طرابلس والكورة وتوابعهما للروم الأرثوذكس from تراتيل أحد الفصح المقدّس, released June 3, 2017. It runs 7:07 at 69 テンポ (138 テンポ double-time) in D♭ Minor (Camelot 12A).
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Psalm 114, Maqam Farah Faza | Father Nicolas Malek, The Choir of Eparchy of Tripoli | D♭ Minor | 2 | 12A | 83 BPM | ||
| ΤΕΡΙΡΕΜ, ήχος πλ. β´ | Choir of Simonopetra | F♯ Major | 3 | 2B | 141 BPM | ||
| 1st Ode: Katavasia of the Resurrection | Dynamis Byzantine Ensemble | E♭ Major | 6 | 5B | 64 BPM | ||
| 05 - Kiri Eleison (Habib Interlude) | Kabarnos | A♭ Minor | 2 | 1A | 70 BPM | ||
| Τον Νυμφίον, αδελφοί, αγαπήσωμεν | Ι. Μ. Βατοπαιδίου | A♭ Major | 3 | 4B | 137 BPM | ||
| Great Doxology 1st Mode | Dynamis Byzantine Ensemble | B Minor | 2 | 10A | 135 BPM | ||
| Doxastikon Of Great Vespers | TROPOS Byzantine Choir, Constantinos Ath. Angelidis | E♭ Major | 2 | 5B | 131 BPM | ||
| Agapiso Se Kyrie | Kabarnos | D Major | 2 | 10B | 75 BPM | ||
| Νίψομαι εν αθώοις τας χείρας μου… | Βυζαντινός Χορός των Τρικάλων | B Major | 2 | 1B | 77 BPM | ||
| Δ΄ ωδή του Κανόνος της Αναστάσεως, ήχος α΄ | Ορθόδοξη Εκκλησιαστική Βυζαντινή Χορωδία | D♭ Major | 5 | 3B | 137 BPM | ||
| Τω την άβατον... ήχος β΄ | Σύλλογος Μουσικοφίλων Κωνσταντινουπόλεως | F♯ Minor | 1 | 11A | 120 BPM | ||
| Ανοιξαντός σου την χείρα | Musica Universalis | G Minor | 2 | 6A | 118 BPM | ||
| Most Holy Lady | Joseph Yazbeck, Rf. Michel Razzouk | C Major | 5 | 8B | 81 BPM | ||
| Parthene Panamome Hristou | Choir of Vatopedi Fathers | A Major | 5 | 11B | 102 BPM | ||
| نشيد القدّيسين | جوقة أبرشيّة طرابلس والكورة وتوابعهما للروم الأرثوذكس | F Major | 4 | 7B | 129 BPM | ||
| The Great Canon of Supplication: Ode III in English | Psaltiki | B♭ Major | 1 | 6B | 112 BPM | ||
| Ohibouka Ya Rab Ya Kouati | Choir of Beirut | A Major | 2 | 11B | 105 BPM | ||
| بولس الرّسول في دمشق | جوقة أبرشيّة طرابلس والكورة وتوابعهما للروم الأرثوذكس | G Major | 3 | 9B | 98 BPM | ||
| Opening Blessing and Great Litany | Dynamis Byzantine Ensemble | B Minor | 2 | 10A | 135 BPM | ||
| الأوديات الرابعة والخامسة والسادسة | The Choir of Eparchy of Tripoli | E Major | 1 | 12B | 57 BPM | ||
| Psalm 64, Tone 8 | Father Nicolas Malek, The Choir of Eparchy of Tripoli | D♭ Minor | 2 | 12A | 83 BPM | ||
| Communion Verse for Saints | Nicholas Asan, Cappella Romana, Alexander Lingas | D Major | 2 | 10B | 75 BPM | ||
| Ως Τον Βασιλέα | Ρωμαίϊκο Σύνολο | B♭ Minor | 3 | 3A | 119 BPM | ||
| الإكسابوستيلاري، باللحن الثّاني | جوقة أبرشيّة طرابلس والكورة وتوابعهما للروم الأرثوذكس | D♭ Minor | 3 | 12A | 69 BPM | ||
| Desert Winds of the Seraphim | SUS Coptic Diocese, The Byzantine Choir of St. George Cathedral, جوقة أبرشيّة طرابلس والكورة وتوابعهما للروم الأرثوذكس, Matteo Solumn | D Major | 2 | 10B | 82 BPM |