Heitor Villa-Lobos, Mickael Viegas's 'Suite populaire Brésilienne, W020: IV. Gavotta-chôro' came out on February 19, 2016. Suite populaire Brésilienne, W020: IV. Gavotta-chôro is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. There are a total of 25 in the song's album "The Complete Guitar Works of Heitor Villa-Lobos". In this album, this song's track order is #9. Furthermore, we believe that the track originated from France. In terms of popularity, Suite populaire Brésilienne, W020: IV. Gavotta-chôro is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Suite populaire Brésilienne, W020: IV. Gavotta-chôro by Heitor Villa-Lobos, Mickael Viegas having a テンポ of 110 with a half-time of 55 テンポ and a double-time of 220 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Guitar Sonata No. 3: II. Chanson: Andantino molto espressivo | Manuel Ponce, Pablo Garibay | D Minor | 0 | 7A | 114 BPM | ||
El choclo (arr. R. Cobo): El Choclo (arr. R. Cobo) | Ricardo Cobo, Angel Gregorio Villoldo | D Major | 1 | 10B | 127 BPM | ||
Suite No. 1 in D Major (Orig. G Major), BWV 1007: II. Allemande | Michael Nicolella | D Major | 2 | 10B | 68 BPM | ||
Suite espagnole, Op. 47: I. Granada | Isaac Albéniz, Thibault Cauvin | E Major | 1 | 12B | 118 BPM | ||
Suite espanola No. 1, Op. 47 (arr. J. Vieaux): II. Cataluna (Corranda) | Jason Vieaux, Isaac Albéniz | G Minor | 1 | 6A | 78 BPM | ||
10 Etudes: I. Etude No. 1: Moderato | Giulio Regondi, John Holmquist | C Major | 2 | 8B | 86 BPM | ||
Suite Del Recuerdo: I Evocacion | Jose Luis Merlin | E Minor | 1 | 9A | 46 BPM | ||
Standchen (Serenade) | Johann Kaspar Mertz, Johannes Möller, Laura Fraticelli | C Major | 0 | 8B | 132 BPM | ||
Prelude from Cello Suite No. 1, BWV 1007 | Andrew Keeping | D Major | 1 | 10B | 131 BPM | ||
Suite compostelana: V. Cancion | Federico Mompou, Scott Tennant | A Minor | 0 | 8A | 126 BPM |