Kammergesänge, Op. 32: No. 1, Sehsucht nach der Nachtigall

Gottfried von Einem, Christian Simonis, Ulrike Pichler-Steffen
Gottfried von Einem: Orchestral Works
1:22 1991日
テンポ
83
キー
F♯ Minor
キャメロットミュージックキー
11A

リンクを埋め込む

共有

Kammergesänge, Op. 32: No. 1, Sehsucht nach der Nachtigall - Gottfried von Einem, Christian Simonis, Ulrike Pichler-Steffen 情報

音響性
85%
ダンサビリティ
17%
エネルギー
1%
手段性
55%
活気
8%
ラウドネス
53%
話し言葉
4%
価数
4%
人気
ラウドネス
-28.421 dB

まとめ

"Kammergesänge, Op. 32: No. 1, Sehsucht nach der Nachtigall" by Gottfried von Einem, Christian Simonis, Ulrike Pichler-Steffen was released on 1991. With Kammergesänge, Op. 32: No. 1, Sehsucht nach der Nachtigall being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gottfried von Einem, andreas stöhr, Wiener Concert-Verein's "Gottfried von Einem: Orchestral Works" album is number 14 out of 24. On top of that, Austria appears to be the country where this track was created. Kammergesänge, Op. 32: No. 1, Sehsucht nach der Nachtigall is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Kammergesänge, Op. 32: No. 1, Sehsucht nach der Nachtigall テンポ

We consider the tempo marking of Kammergesänge, Op. 32: No. 1, Sehsucht nach der Nachtigall by Gottfried von Einem, Christian Simonis, Ulrike Pichler-Steffen to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Kammergesänge, Op. 32: No. 1, Sehsucht nach der Nachtigall キー

This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

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ISRC
ATMA40500826
レコードレーベル
L-M Records/RCA Records