"Fedora, Act I: Son gente risoluta (Live)" by Umberto Giordano, Daniela Dessi, Genoa Carlo Felice Theater Orchestra, Valerio Galli had its release date on January 19, 2018. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Fedora, Act I: Son gente risoluta (Live)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Umberto Giordano, Daniela Dessi, Fabio Armiliato, Genoa Carlo Felice Theater Orchestra, Valerio Galli's "Giordano: Fedora" album is number 5 out of 25. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Fedora, Act I: Son gente risoluta (Live) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fedora, Act I: Son gente risoluta (Live) by Umberto Giordano, Daniela Dessi, Genoa Carlo Felice Theater Orchestra, Valerio Galli to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod: Faust, Act 2: "Le veau d'or est toujours debout" (Méphistophélès, Chorus) | Charles Gounod, André Cluytens, Boris Christoff, Orchestre du Théâtre National de l'Opéra de Paris | B Minor | 7 | 10A | 141 BPM | ||
Il Barbiere di Siviglia: Ecco, ridente in cielo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
Andrea Chénier (1994 Digital Remaster), ATTO PRIMO: Oh! Come elegante (Contessa/Fléville/Maddalena/L'Abate) | Umberto Giordano, Luciana Moneta, Dino Mantovani, Antonietta Stella, Piero de Palma, Coro del Teatro dell' Opera di Roma, Gianni Lazzari, Gabriele Santini, Orchestra Del Teatro Dell'Opera Di Roma | B♭ Minor | 2 | 3A | 108 BPM | ||
Lucia di Lammermoor / Act 1: "La pietade in suo favore" | Gaetano Donizetti, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 2 | 8B | 123 BPM | ||
Les pêcheurs de perles / Act 2: Au fond du temple saint | Georges Bizet, Ramón Vargas, Ludovic Tezier, SWR Symphony Orchestra, Marco Armiliato | E♭ Major | 4 | 5B | 169 BPM | ||
Miniera | Leo Nucci, Salotto Ottocento Ensemble | A Major | 2 | 11B | 119 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Dame Joan Sutherland, Ambrosian Light Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | F♯ Major | 2 | 2B | 88 BPM | ||
Wagner: Tannhäuser, Act 3: "Wie Todesahnung … O du, mein holder Abendstern" (Wolfram) | Richard Wagner, Dietrich Fischer-Dieskau, Orchester Der Staatsoper Berlin, Franz Konwitschny, Staatsopernorchester Berlin | C Minor | 3 | 5A | 133 BPM | ||
Die Fledermaus / Act II: Nr. 10 Csárdás: "Klänge der Heimat" | Johann Strauss II, Julia Varady, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 82 BPM |