"Ave Satani - From "The Omen"" by Jerry Goldsmith was released on 1976. The duration of Ave Satani - From "The Omen" is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Ave Satani - From "The Omen"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Omen (The Deluxe Edition / Original Motion Picture Soundtrack)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Ave Satani - From "The Omen"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ave Satani - From "The Omen" by Jerry Goldsmith having a テンポ of 145 with a half-time of 72 テンポ and a double-time of 290 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 1/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata No. 59 in E-Flat Major, Hob.XVI:49: II. Adagio e cantabile | Joseph Haydn, Ronald Brautigam | A Minor | 3 | 8A | 103 BPM | ||
End Credits | Wojciech Kilar | F Major | 0 | 7B | 83 BPM | ||
Five Pieces For Orchestra, OP 10 (Sehr-langsam und ausserst ruhig) | The National Philharmonic Orchestra-Conducted by Leonard Slatkin | F♯ Minor | 1 | 11A | 104 BPM | ||
Freddy's Coming For You | Steve Jablonsky | D Major | 1 | 10B | 90 BPM | ||
Drive Montage | Basil Poledouris | B♭ Major | 3 | 6B | 123 BPM | ||
House on Sorority Row (Main Title) | Richard Band | B♭ Major | 0 | 6B | 151 BPM | ||
L'Ultima Diligenza di Red Rock - From "The Hateful Eight" Soundtrack / Versione Integrale | Ennio Morricone | A Major | 3 | 11B | 81 BPM | ||
Dracula: Main Theme | Dan Redfeld & Elizabeth Hedman | F Major | 1 | 7B | 173 BPM | ||
End Credits (Stephen King's IT) | Richard Bellis | G Major | 4 | 9B | 181 BPM | ||
The Well | Hans Zimmer, Henning Lohner, Martin Tillman, Fiachra Trench, Various Artists | A Minor | 1 | 8A | 145 BPM |