Heitor Villa-Lobos, Christopher Parkening's 'No. 2 From Preludes' came out on January 1, 1986. The duration of No. 2 From Preludes is about 3 minutes long, at 3:04. Based on our data, "No. 2 From Preludes" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Christopher Parkening's "In The Spanish Style" album is number 5 out of 17. Based on our statistics, No. 2 From Preludes's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of No. 2 From Preludes by Heitor Villa-Lobos, Christopher Parkening to be Allegro (fast, quick, and bright) because the track has a tempo of 152 テンポ, a half-time of 76テンポ, and a double-time of 304 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Prelude No. 1 in E Minor (Andantino expressivo) | John C. Williams, Heitor Villa-Lobos | E Minor | 1 | 9A | 117 BPM | ||
Etude in C-Sharp Minor, Op. 2/1 | Alexander Scriabin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 70 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
Schumann: Fantasiestücke Op. 73: I. Zart und mit Ausdruck | Robert Schumann, Anneleen Lenaerts, Dionysis Grammenos | A Minor | 0 | 8A | 138 BPM | ||
Etude No. 6 (arr. of F. Sor: 24 Very Easy Exercises Op. 35 No. 17) | Fernando Sor, Roland Dyens, Quatuor Arthur. Le Blanc | G Major | 0 | 9B | 126 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
Goyescas - Suite: 4. Quejas ó la maja y el ruiseñor | Enrique Granados, Alicia de Larrocha | F♯ Minor | 0 | 11A | 65 BPM | ||
Suite for Two Pianos, Op. 6: II. Andantino con moto | Charles Koechlin, Tal & Groethuysen | F Minor | 0 | 4A | 192 BPM |