Rainer Maria Rilke, Orchestra Musica Concentrationaria, Francesco Lotoro, Libera Granatiero's 'Trois poèmes: No. 2, C'était le jour des chrysanthèmes blancs' came out on January 1, 2012. With Trois poèmes: No. 2, C'était le jour des chrysanthèmes blancs being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Francesco Lotoro, Orchestra Musica Concentrationaria's "Kz Musik, Vol. 17" album is number 14 out of 15. On top of that, Italy appears to be the country where this track was created. Trois poèmes: No. 2, C'était le jour des chrysanthèmes blancs is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Trois poèmes: No. 2, C'était le jour des chrysanthèmes blancs by Rainer Maria Rilke, Orchestra Musica Concentrationaria, Francesco Lotoro, Libera Granatiero to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der sogenannte Herr Zauberer | Dirk Hessel | A Minor | 4 | 8A | 121 BPM | ||
Kapitel 9.2 & Kapitel 10.1 - Lauf, Wigald, lauf | Wigald Boning | D Major | 4 | 10B | 81 BPM | ||
Kapitel 50 - Wie durch ein dunkles Glas - Commissario Brunetti 15 | Donna Leon, Jochen Striebeck | C Minor | 5 | 5A | 140 BPM | ||
Kapitel 10 - Der Wahnsinn hat Spätschicht! - Die Wahnsinn-Reihe, Band 1 | Tobias Kühnlein, Oliver Kalkofe | D♭ Major | 3 | 3B | 96 BPM | ||
Spukvilla 1, Pt. 6 | Jarow | A♭ Major | 3 | 4B | 88 BPM | ||
Kapitel 13 - Der talentierte Mr. Ripley - Ripley 1 | Patricia Highsmith, Gert Heidenreich | D♭ Major | 3 | 3B | 174 BPM | ||
Teil 20 - Die Bibel - Das Neue Testament | Die Bibel, Diverse Sprecher, Trad. | G Major | 2 | 9B | 87 BPM | ||
Kapitel 72 - Ich, Aladin und die Helden aus 1001 Nacht | Frank Schwieger, Live aus der Geschichte | F♯ Major | 5 | 2B | 111 BPM | ||
Kapitel 5.2 - Ephraim Kishons beste Familiengeschichten | Ephraim Kishon | D Major | 2 | 10B | 101 BPM | ||
Rilke: Die Aufzeichnungen des Malte Laurids Brigge 41 | Rainer Maria Rilke, Sven Görtz | D♭ Major | 4 | 3B | 91 BPM |