Felix Mendelssohn, Worcester Cathedral Choir, Donald Hunt's 'Festgesang, MWV D4, "Gutenberg-Kantate": No. 2. (adap. W.H. Cummings as Hark! The Herald Angels Sing)' came out on October 1, 2006. The duration of Festgesang, MWV D4, "Gutenberg-Kantate": No. 2. (adap. W.H. Cummings as Hark! The Herald Angels Sing) is about 3 minutes long, at 3:03. Based on our data, "Festgesang, MWV D4, "Gutenberg-Kantate": No. 2. (adap. W.H. Cummings as Hark! The Herald Angels Sing)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 36 in the song's album "The Very Best of Christmas". In this album, this song's track order is #2. In terms of popularity, Festgesang, MWV D4, "Gutenberg-Kantate": No. 2. (adap. W.H. Cummings as Hark! The Herald Angels Sing) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Festgesang, MWV D4, "Gutenberg-Kantate": No. 2. (adap. W.H. Cummings as Hark! The Herald Angels Sing) by Felix Mendelssohn, Worcester Cathedral Choir, Donald Hunt having a テンポ of 96 with a half-time of 48 テンポ and a double-time of 192 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oh Come Emmanuel | Aliqua | F Minor | 1 | 4A | 70 BPM | ||
O Holy Night | Adolphe Adam, Vienna Boys' Choir, Aida Garifullina, Schubert Akademie, Gerald Wirth | E♭ Major | 3 | 5B | 87 BPM | ||
Franck: Mass, Op. 12, FWV 61: Panis Angelicus | César Franck, Choir of King's College, Cambridge, Tom Winpenny, Stephen Cleobury | A♭ Major | 1 | 4B | 79 BPM | ||
O Come, O Come, Emmanuel | Traditional, Mormon Tabernacle Choir, Richard P. Condie | E Minor | 2 | 9A | 90 BPM | ||
A Ceremony of Carols, Op. 28: I. Procession | Benjamin Britten, The Choir Of Trinity College, Cambridge | B Minor | 0 | 10A | 74 BPM | ||
O Christmas Tree | The City of Prague Philharmonic Orchestra, Crouch End Festival Chorus | F Major | 3 | 7B | 119 BPM | ||
The day thou gavest, Lord, is ended | Clement Cotterill Scholefield, The Cambridge Singers, John Scott, John Rutter | A♭ Major | 1 | 4B | 83 BPM | ||
Holford / Arr Prizeman: Joy to the World | William Holford, Libera | D♭ Major | 3 | 3B | 132 BPM | ||
Hear my Prayer | Felix Mendelssohn, Choir of King's College, Cambridge, Stephen Cleobury, Douglas Tang, Tom Pickard | G Major | 0 | 9B | 82 BPM | ||
Carol of the Bells (arr. P.J. Wilhousky) | Mykola Dmytrovych Leontovych, Peter J. Wilhousky, Westminster Choir, Daniel Beckwith, Philadelphia Concerto Soloists, members, Joseph Flummerfelt | E♭ Major | 0 | 5B | 83 BPM |