Johann Strauss II, Nicolai Lugowoi, Ivan Rebroff, Bernd Weikl, Hermann Prey, Benno Kusche, Evi List, Julia Varady's 'Die Fledermaus / Act II: Dialog: Hoheit, ein Chevalier Chagrin ist da' came out on January 1, 1976. The duration of Die Fledermaus / Act II: Dialog: Hoheit, ein Chevalier Chagrin ist da is about 3 minutes long, at 3:04. Based on our data, "Die Fledermaus / Act II: Dialog: Hoheit, ein Chevalier Chagrin ist da" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 37 in the song's album "Strauss: Die Fledermaus". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Die Fledermaus / Act II: Dialog: Hoheit, ein Chevalier Chagrin ist da is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Die Fledermaus / Act II: Dialog: Hoheit, ein Chevalier Chagrin ist da by Johann Strauss II, Nicolai Lugowoi, Ivan Rebroff, Bernd Weikl, Hermann Prey, Benno Kusche, Evi List, Julia Varady having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Otello / Act 3: "Quest'è il segnale" | Giuseppe Verdi, Leo Nucci, Anthony Rolfe Johnson, Luciano Pavarotti, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 1 | 4B | 81 BPM | ||
Die Walküre, WWV 86B / Act III: "Nicht streb, o Maid, den Mut mir zu stören" | Richard Wagner, Régine Crespin, Thomas Stewart, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 92 BPM | ||
Wenn du glauben könntest | Ivan Rebroff | A Minor | 4 | 8A | 80 BPM | ||
La Traviata / Act 2: "Alfredo?" - "Per Parigi or or partiva" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Walter Gullino, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | C Major | 1 | 8B | 173 BPM | ||
La Cenerentola / Act 2: "Scusate, amici" | Gioachino Rossini, Alessandro Corbelli, Enzo Dara, William Matteuzzi, Fernanda Costa, Cecilia Bartoli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM | ||
Die Fledermaus: Act III: Finale: O Fledermaus, o Fledermaus (Rosalinde, Adele, Ida, Orlofsky) | Johann Strauss II, Aga Mikolaj, Chen Reiss, Sabine Kallhammer, Natascha Petrinsky, Cologne West German Radio Orchestra, Friedrich Haider | D Major | 3 | 10B | 123 BPM | ||
The Merry Widow (Die lustige Witwe) / Act 2: Weibermarsch | Franz Lehár, Heinz Hoppe, Benno Kusche, Grosses Operetten Orchester, Franz Marszalek | D Major | 5 | 10B | 118 BPM | ||
Die Fledermaus / Act 2: Dialog: Adele, wer hat denn dich hierher eingeladen? | Johann Strauss II, Evi List, Lucia Popp, Bernd Weikl, Ivan Rebroff, Nicolai Lugowoi | D♭ Major | 3 | 3B | 99 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227, Act II: Act II: Jetzt aber kommt mein Herr Zukunftiger (Sophie, Faninal, Baron, Octavian) | Richard Strauss, Lorenz Fehenberger, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Gerhard Unger, Claire Watson, Lucia Popp, Brigitte Fassbaender, Benno Kusche, Karl Ridderbusch, David Thaw, Albrecht Peter, Annelie Waas, Margarethe Bence, Georg Paskuda, Franz Klarwein, Hans Wilbrink, Carlos Kleiber | C Minor | 4 | 5A | 120 BPM | ||
Il Trovatore / Act 2: "E deggio e posso crederlo?" | Giuseppe Verdi, Dame Joan Sutherland, Ingvar Wixell, Luciano Pavarotti, Norma Burrowes, Nicolai Ghiaurov, Graham Clark, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 3 | 4B | 137 BPM |