On October 18, 2010, the song "Benjamin / Cimarosa / Arr Balsom: Oboe Concerto in C Minor: II. Allegro" was released by Domenico Cimarosa, Alison Balsom, Scottish Ensemble. The duration of Benjamin / Cimarosa / Arr Balsom: Oboe Concerto in C Minor: II. Allegro is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Benjamin / Cimarosa / Arr Balsom: Oboe Concerto in C Minor: II. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alison Balsom's "Italian Concertos" album is number 11 out of 24. In terms of popularity, Benjamin / Cimarosa / Arr Balsom: Oboe Concerto in C Minor: II. Allegro is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Benjamin / Cimarosa / Arr Balsom: Oboe Concerto in C Minor: II. Allegro by Domenico Cimarosa, Alison Balsom, Scottish Ensemble to be Andante (at a walking pace) because the track has a tempo of 100 テンポ, a half-time of 50テンポ, and a double-time of 200 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Arpeggione Sonata, D. 821: II. Adagio | Franz Schubert, Anne Gastinel, Claire Désert | E Major | 0 | 12B | 73 BPM | ||
Violin Concerto in A Major, Op. 7 No. 1: II. Adagio | Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz | B Major | 0 | 1B | 79 BPM | ||
Giannina e Bernardone, Act I Scene 12: Poveretta! Sventurata | Domenico Cimarosa, Simone Perugini, Tuscan Opera Academy Orchestra, Laura Valdarnini, Andrew Wright | F Major | 2 | 7B | 118 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 74 BPM | ||
III. Andante | Clara Schumann, Anne-Sophie Mutter, Pablo Ferrandez, Lambert Orkis | G Major | 1 | 9B | 101 BPM | ||
Sarabande Variations (from Suite in D Minor, HWV 437): Variation VIII | George Frideric Handel, Martin Stadtfeld | D♭ Major | 0 | 3B | 74 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Evgeny Soifertis | C Minor | 0 | 5A | 103 BPM | ||
Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | A♭ Minor | 1 | 1A | 127 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
NO ROADMAP TO ADULTHOOD / Chilly Gonzales: Prelude in C Sharp Major | Chilly Gonzales, Alice Sara Ott | E♭ Minor | 0 | 2A | 70 BPM |