George Frederick McKay, William Bolcom made "My Tahoe Window - Summer Moods and Patterns: VI. Sundown" available on September 4, 2002. The duration of My Tahoe Window - Summer Moods and Patterns: VI. Sundown is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. My Tahoe Window - Summer Moods and Patterns: VI. Sundown's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frederick McKay's "Mckay: Suite for Viola and Piano / My Tahoe Window / An April Suite" album is number 10 out of 31. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, My Tahoe Window - Summer Moods and Patterns: VI. Sundown's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of My Tahoe Window - Summer Moods and Patterns: VI. Sundown by George Frederick McKay, William Bolcom to be Allegro (fast, quick, and bright) because the track has a tempo of 135 テンポ, a half-time of 68テンポ, and a double-time of 270 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Harbor Narrative: V. Men and Machines | George Frederick McKay, Ukraine National Symphony Orchestra, John McLaughlin Williams | F Major | 2 | 7B | 135 BPM | ||
Eylsian Fields | Paul Edward-Francis | C Major | 0 | 8B | 169 BPM | ||
25 Études faciles et progressives, Op. 100: No. 11, La bergeronnette | Franz Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 124 BPM | ||
Hedwig's Theme | Felix Klieser, Wiener Concert-Verein | C Minor | 2 | 5A | 134 BPM | ||
Memories of the Streets | Dany Safari | G Major | 1 | 9B | 142 BPM | ||
The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
Man the Harpoons | Ivan Duch | C Minor | 1 | 5A | 115 BPM | ||
Suite on 16th-century Hymns: Cortege joyeux | George Frederick McKay, Ukraine National Radio Symphony Orchestra, John McLaughlin Williams | G Major | 1 | 9B | 117 BPM | ||
弦楽のための組曲: 第1楽章: A-Roving/さすらい | John Rutter, 石田泰尚, 石田組 | F Major | 1 | 7B | 74 BPM | ||
Asking for Love | Allexandre Goz, Cats Rule the World | C Major | 2 | 8B | 66 BPM |