Georges Prêtre, Janine Micheau, Orchestre de l'Opéra National de Paris's 'Mireille, ACT 4: Heureux petit berger' came out on 2004. The duration of Mireille, ACT 4: Heureux petit berger is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Mireille, ACT 4: Heureux petit berger's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 100 Best Opera Classics, so we believe that "Mireille, ACT 4: Heureux petit berger" is a single. Mireille, ACT 4: Heureux petit berger is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mireille, ACT 4: Heureux petit berger by Georges Prêtre, Janine Micheau, Orchestre de l'Opéra National de Paris is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bellini: Norma, Act 1: "Casta diva" (Norma, Chorus) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 2 | 7B | 88 BPM | ||
Jolivet: Sonatina for Oboe & Bassoon: I. Ouverture | André Jolivet, Les Vents Français, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | E Major | 1 | 12B | 168 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
La Bohème / Act 1: "Che gelida manina" | Jonas Kaufmann, Giacomo Puccini, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 3 | 4B | 68 BPM | ||
Pavane in F-Sharp Minor, Op. 50 | Gabriel Fauré, Charles Gerhardt, National Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
Samson et Dalila (1997 Digital Remaster): Mon coeur s'ouvre à ta voix. | Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise, Maria Callas | D♭ Major | 1 | 3B | 81 BPM | ||
Delibes: Coppélia, Act I: No. 1, Valse | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | E♭ Major | 1 | 5B | 143 BPM | ||
Samson et Dalila (1987 Digital Remaster): Bacchanale | Camille Saint-Saëns, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Minor | 3 | 7A | 135 BPM | ||
Samson et Dalila - Acte I - Choeur des hébreux : Dieu d'Israël ! Ecoute la prière | Camille Saint-Saëns, Myung-Whun Chung, Orchestre de l'Opéra Bastille | B Major | 2 | 1B | 175 BPM | ||
Polovtsian Dances From "Prince Igor" | Alexander Borodin, Torgny Sporsen, Gothenburg Symphony Orchestra, Neeme Järvi, Gothenburg Symphony Choir | D Major | 1 | 10B | 103 BPM |