Hugues Cuénod, Joel Cohen, Christiane Jaccottet made "When Phoebus First Did Daphne Love" available on February 1, 2016. With When Phoebus First Did Daphne Love being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Songs and Dances of John Dowland". In this album, this song's track order is #22. The popularity of When Phoebus First Did Daphne Love is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With When Phoebus First Did Daphne Love by Hugues Cuénod, Joel Cohen, Christiane Jaccottet having a テンポ of 186 with a half-time of 93 テンポ and a double-time of 372 テンポ, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. John Passion, BWV 245: No. 27c, Auf daß erfüllet würde die Schrift (Remastered 2024) - Live | Johann Sebastian Bach, Pablo Casals, The Prades Festival Orchestra, Hugues Cuénod, Doda Conrad | D Major | 3 | 10B | 114 BPM | ||
Romance, L. 43 | Claude Debussy, Hugues Cuénod | D♭ Minor | 1 | 12A | 114 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Qual vita e questa mai" (Euridice) | Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Davide penitente, K. 469: Duet: Sorgi, o Signore, e spargi (Soprano 1 and 2) | Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Kristina Wahlin, Lothar Odinius, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Minor | 2 | 7A | 119 BPM | ||
I. Ach, lieben Christen, seid getrost (Chorus) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Chorus Musicus Köln | A♭ Major | 2 | 4B | 92 BPM | ||
Ave Regina Caelorum: II. Gaude Virgo | Antonio Caldara, Alex Potter, La Festa Musicale | F♯ Minor | 3 | 11A | 131 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: IX. Sicut erat | Carl Philipp Emanuel Bach, Geraint Jones, Geraint Jones Singers, Geraint Jones Orchestra | D Major | 3 | 10B | 87 BPM | ||
Monteverdi: Ohimé ch’io cado, SV 316 (Live) | Claudio Monteverdi, Victoria de los Ángeles, Gerald Moore | C Major | 2 | 8B | 114 BPM | ||
Les 7 paroles du Christ: Introduction, “O vos omnes” | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 1 | 7A | 112 BPM | ||
Languet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis es | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM |