"The Dangerous Liaisons, Act One: V. "Children, Why Don't You Sing?"" by Conrad Susa, Philip Littell, Brittany Nickell, Oliver Sewell, Janet Todd, Timothy Murray, Abigail Shapiro, Anna Dugan, George Manahan, Manhattan School of Music Opera Orchestra was released on March 1, 2016. With this song being about 5 minutes long, at 5:25, "The Dangerous Liaisons, Act One: V. "Children, Why Don't You Sing?"" by Conrad Susa, Philip Littell, Brittany Nickell, Oliver Sewell, Janet Todd, Timothy Murray, Abigail Shapiro, Anna Dugan, George Manahan, Manhattan School of Music Opera Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 27 in Conrad Susa: The Dangerous Liaisons by Conrad Susa, George Manahan, Manhattan School of Music Opera Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, The Dangerous Liaisons, Act One: V. "Children, Why Don't You Sing?" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Dangerous Liaisons, Act One: V. "Children, Why Don't You Sing?" by Conrad Susa, Philip Littell, Brittany Nickell, Oliver Sewell, Janet Todd, Timothy Murray, Abigail Shapiro, Anna Dugan, George Manahan, Manhattan School of Music Opera Orchestra is Andante (at a walking pace), since this song has a tempo of 97 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Dangerous Liaisons, Act One: XII. "All Right I Think of You" | Conrad Susa, Philip Littell, Abigail Shapiro, Timothy Murray, Brittany Bellacosa, George Manahan, Manhattan School of Music Opera Orchestra | F Major | 1 | 7B | 85 BPM | ||
Tantum ergo, WAB 32 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 86 BPM | ||
Can You Count the Stars of Evening | Oasis Chorale, Wendell Nisly | D Major | 1 | 10B | 132 BPM | ||
Misa Mo Domingo: Sanctus | Giovanni Battista Bassani, Anónimo, Ensamble Moxos, Raquel Maldonado | D♭ Minor | 4 | 12A | 89 BPM | ||
Chamber Music, Vol. 2 "6 Joyce Songs": No. 5. Winds of May | Conrad Susa, Cappella SF, Keisuke Nakagoshi, Ragnar Bohlin | E♭ Minor | 1 | 2A | 93 BPM | ||
Chamber Music, Vol. 2 "6 Joyce Songs": No. 1. The Twilight Turns from Amethyst | Conrad Susa, Cappella SF, Keisuke Nakagoshi, Ragnar Bohlin | E♭ Major | 0 | 5B | 87 BPM | ||
I Truly Lack for Nothing | Laestadian Lutheran Church, Liisa Keranen | E Minor | 1 | 9A | 88 BPM | ||
A Christmas Carol | Brian Field, Composers’ Choir, Daniel Shaw | C Major | 3 | 8B | 84 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": VIII. Andante con moto. "Nun danket alle Gott" | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius, Kammerchor Stuttgart | G Major | 2 | 9B | 81 BPM | ||
Upon This Path | Tapestry Chamber Singers | E Minor | 2 | 9A | 65 BPM |