"Cradle Song in F Major, H. 96 (Version for Cello & Piano)" by Frank Bridge, Gerald Peregrine, Antony Ingham was released on May 10, 2019. The duration of Cradle Song in F Major, H. 96 (Version for Cello & Piano) is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Cradle Song in F Major, H. 96 (Version for Cello & Piano)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 16 in Folk Tales by Gerald Peregrine, Antony Ingham. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Cradle Song in F Major, H. 96 (Version for Cello & Piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cradle Song in F Major, H. 96 (Version for Cello & Piano) by Frank Bridge, Gerald Peregrine, Antony Ingham is Adagio (slowly with great expression), since this song has a tempo of 69 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ziloti: Kaddisch, Mélodie hébraïque in C Minor | Maurice Ravel, Bertrand Chamayou | C Minor | 0 | 5A | 133 BPM | ||
Folk Tale | Arnold Bax, Gerald Peregrine, Antony Ingham | G Minor | 1 | 6A | 167 BPM | ||
Five Entr'actes, H. 95, "The Two Hunchbacks", Act III: Entr'acte. Moderato | Frank Bridge, Richard Hickox, BBC National Orchestra Of Wales | A Minor | 1 | 8A | 98 BPM | ||
The Sea, H. 100: III. Moonlight. Adagio ma non troppo | Frank Bridge, Richard Hickox, BBC National Orchestra Of Wales | E Minor | 0 | 9A | 67 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Suite in B-Flat Major, Nowak 34 (Excerpts): IV. Finale. Sehr schnell | Hans Rott, Gürzenich Orchester Köln, Christopher Ward | B♭ Major | 2 | 6B | 93 BPM | ||
Arpeggione Sonata in A Minor, D. 821: II. Adagio | Franz Schubert, Mischa Maisky, Daria Hovora | E Major | 0 | 12B | 93 BPM | ||
Kitsch-Musik: I. Allegro vivace | Valentin Silvestrov, Elisaveta Blumina | G Minor | 0 | 6A | 66 BPM | ||
Sonata for Cello and Piano in G minor, Op. 19: 3. Andante | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | E♭ Major | 0 | 5B | 74 BPM | ||
Concerto pour piano | Germaine Tailleferre, The California Parallele Ensemble, UC Santa Cruz Orchestra, Nicole Paiement | D Major | 2 | 10B | 105 BPM |