"Thaïs, DO 24: Meditation (Arr. for Violin, Cello and Piano by Ehsan Mohagheghi Fard)" by Jules Massenet, Eldbjørg Hemsing, Raphaela Gromes, Håvard Gimse was released on August 11, 2023. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Massenet: Thaïs - Meditation (Trio Version) and no other songs are present in the album, we classify this track as a single. On top of that, Germany appears to be the country where this track was created. Thaïs, DO 24: Meditation (Arr. for Violin, Cello and Piano by Ehsan Mohagheghi Fard) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Thaïs, DO 24: Meditation (Arr. for Violin, Cello and Piano by Ehsan Mohagheghi Fard) by Jules Massenet, Eldbjørg Hemsing, Raphaela Gromes, Håvard Gimse to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in G Major, Op. 88, B. 163 (Arr. P. Breiner for Piano): III. Allegretto grazioso | Antonín Dvořák, Peter Breiner | G Major | 1 | 9B | 179 BPM | ||
You Come Here Often? | Michael Tilson Thomas, Yuja Wang | F Major | 3 | 7B | 104 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Ivan Sings "Andantino" | Aram Khachaturian, Christopher Ferreira | A♭ Major | 0 | 4B | 74 BPM | ||
Concerto in D Minor: II. Adagio | Alessandro Marcello, Miloš Karadaglić, Jonathan Cohen, Arcangelo | D Minor | 0 | 7A | 144 BPM | ||
Massenet: Année passée, Livre I "Après-midi d'été": I. À l'ombre. Assez lent et mystérieux | Jules Massenet, Aldo Ciccolini | C Major | 2 | 8B | 107 BPM | ||
13 Préludes, Op. 32: No. 5 in G Major. Moderato | Sergei Rachmaninoff, Boris Giltburg | B♭ Major | 0 | 6B | 66 BPM | ||
Debussy: Children's Corner, CD 119 - VI. Cakewalk | Claude Debussy, Isata Kanneh-Mason | A♭ Major | 0 | 4B | 106 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 Andante sostenuto "Venetianisches Gondellied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM |