Erik Satie, Alexandre Tharaud made "Le Piège de Méduse, Sept pièces pour piano: Le Piège de Méduse, Sept pièces pour piano: I. Quadrille" available on January 20, 2009. With Le Piège de Méduse, Sept pièces pour piano: Le Piège de Méduse, Sept pièces pour piano: I. Quadrille being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 77 in the song's album "Satie: Avant-dernières pensées (Bonus Track Version)". In this album, this song's track order is #18. Le Piège de Méduse, Sept pièces pour piano: Le Piège de Méduse, Sept pièces pour piano: I. Quadrille is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Le Piège de Méduse, Sept pièces pour piano: Le Piège de Méduse, Sept pièces pour piano: I. Quadrille by Erik Satie, Alexandre Tharaud having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dolly, Op.56: 2. Mi-A-Ou | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 1 | 7B | 71 BPM | ||
Rondo in D Minor, Wq. 61/4, H. 290 | Carl Philipp Emanuel Bach, Christopher Hinterhuber | B♭ Major | 1 | 6B | 135 BPM | ||
Gambades | Erik Satie, Alexandre Tharaud | D Major | 1 | 10B | 96 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Lang Lang | B♭ Major | 4 | 6B | 138 BPM | ||
13 Pieces, Op. 76: No. 4 Humoresque | Jean Sibelius, Håvard Gimse | D♭ Minor | 1 | 12A | 131 BPM | ||
Kreisleriana, Op. 16: 8. Schnell und spielend | Vladimir Horowitz | G Minor | 1 | 6A | 98 BPM | ||
3 Gymnopedies (Arr. For Flute And Harp): Gymnopedie No. 1 (Arr. For Flute And Harp) | Nora Shulman, Judy Loman, Erik Satie, Donald Sosin | G Major | 1 | 9B | 69 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Préludes - Book 2, L.123: 2. Feuilles mortes | Claude Debussy, Pierre-Laurent Aimard | D♭ Major | 0 | 3B | 71 BPM |