Marco Uccellini, Nicholas McGegan, The Arcadian Academy's 'Aria Decima Quinta "sopra La Scatola dagli agghi" (Book 4)' came out on November 10, 1993. The duration of Aria Decima Quinta "sopra La Scatola dagli agghi" (Book 4) is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Aria Decima Quinta "sopra La Scatola dagli agghi" (Book 4)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Uccellini: "La bergamasca"". In this album, this song's track order is #3. In terms of popularity, Aria Decima Quinta "sopra La Scatola dagli agghi" (Book 4) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Aria Decima Quinta "sopra La Scatola dagli agghi" (Book 4) by Marco Uccellini, Nicholas McGegan, The Arcadian Academy having a テンポ of 116 with a half-time of 58 テンポ and a double-time of 232 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Balletto à 3 in G Major, Op. 3 No. 3: III. Corrente. Allegro | Tomaso Albinoni, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Trio Sonata in A Minor, BuxWV 272 | Dietrich Buxtehude, Ensemble Masques, Sophie Gent, Mélissande Corriveau, Olivier Fortin | A Minor | 2 | 8A | 171 BPM | ||
Adson's Masque | John Adson, Dorothee Oberlinger | G Minor | 2 | 6A | 130 BPM | ||
Al fragor di lieta tromba, Sinfonia: III. Allegro | Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi | G Minor | 0 | 6A | 117 BPM | ||
12 Sonatas and a Pastorale, Op. 1 (1734) No. 7, Violin Sonata in D Major, B.D6 / GT 2.D06: II. Allegro | Giuseppe Tartini, La Serenissima, Adrian Chandler | B♭ Minor | 1 | 3A | 112 BPM | ||
Sonata No. 1 in F Major, Op. 1: I. Grave | Arcangelo Corelli, Rémy Baudet, Sayuri Yamagata, Albert Brüggen, Mike Fentross, Pieter-Jan Belder | E♭ Minor | 2 | 2A | 134 BPM | ||
The Earle of Essex Galiard from Lachrimae, or Seaven Teares | John Dowland, Fretwork, Christopher Wilson | F Minor | 1 | 4A | 107 BPM | ||
Trio Sonata in D Minor, Op. 1 No. 12, RV 63 "Follia" | Antonio Vivaldi, London Baroque | D♭ Minor | 2 | 12A | 138 BPM | ||
Chacony in G | John Blow, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 120 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": II. Allaman - III. Presto | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 1 | 4B | 135 BPM |