"The Veil of the Temple, Cycle IV: II. Mystery of the Nothingness of God" by John Tavener, The Holst Singers, The Temple Church Choir, Hugh Benson, Christopher Kassam, Robert Millett, Stephen Layton was released on November 15, 2013. The duration of The Veil of the Temple, Cycle IV: II. Mystery of the Nothingness of God is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. The Veil of the Temple, Cycle IV: II. Mystery of the Nothingness of God's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 44 in the song's album "Tavener: The Veil of the Temple". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Veil of the Temple, Cycle IV: II. Mystery of the Nothingness of God's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Veil of the Temple, Cycle IV: II. Mystery of the Nothingness of God by John Tavener, The Holst Singers, The Temple Church Choir, Hugh Benson, Christopher Kassam, Robert Millett, Stephen Layton having a テンポ of 126 with a half-time of 63 テンポ and a double-time of 252 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Towards Silence: I Vaishvānara | John Tavener, The Medici Quartet, Finzi Quartet, Cavaleri Quartet, Fifth Quadrant, Medici Quartet, Finzi Quartet, Cavaleri Quartet, Fifth Quadrant | G Major | 5 | 9B | 100 BPM | ||
Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
Les Barricades mystérieuses | François Couperin, David Greilsammer | B♭ Major | 0 | 6B | 131 BPM | ||
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
Vasara (Summer) | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | A Minor | 1 | 8A | 137 BPM | ||
Requiem, Op. 48: VIII. In Paradisum | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, La Maîtrise de Paris | D Major | 1 | 10B | 74 BPM | ||
The Fruit of Silence | Pēteris Vasks, Latvian Radio Choir, Sinfonietta Riga, Sigvards Kļava | E♭ Major | 0 | 5B | 67 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Requiem, Op. 48: IV. Sanctus | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | E♭ Major | 1 | 5B | 64 BPM |