"Suite in A Minor, RCT 5: VII. Gavotte et six doubles" by Jean-Philippe Rameau, David Greilsammer was released on February 10, 2012. Since Suite in A Minor, RCT 5: VII. Gavotte et six doubles is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 15 in Baroque Conversations by David Greilsammer. Based on our statistics, Suite in A Minor, RCT 5: VII. Gavotte et six doubles's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite in A Minor, RCT 5: VII. Gavotte et six doubles by Jean-Philippe Rameau, David Greilsammer is Allegro (fast, quick, and bright), since this song has a tempo of 127 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM | ||
Suite en Sol Majeur, RCT 6: IX. L'Egyptienne | Jean-Philippe Rameau, Alexandre Tharaud | G Minor | 1 | 6A | 65 BPM | ||
Concerto per due Violini in Do Maggiore, RV 507: I. Allegro | Antonio Vivaldi, Amandine Beyer, Giuliano Carmignola, Gli Incogniti | A♭ Major | 0 | 4B | 62 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 84 BPM | ||
Sonata in E Minor (Allegrissimo), Kk. 98 | Domenico Scarlatti, Ivo Pogorelich | E Minor | 0 | 9A | 84 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Slavonic Dance for Four Hands in E Minor, Op. 72/2: Dumka (Allegretto grazioso) | Antonín Dvořák, Khatia Buniatishvili | C Major | 0 | 8B | 77 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged Sgambati: Dance of the Blessed Spirits (Mélodie) | Christoph Willibald Gluck, Jean-Yves Thibaudet | D♭ Minor | 0 | 12A | 128 BPM | ||
El cant dels ocells (Version for Cello & String Quartet) | Pablo Casals, Ofra Harnoy, Orford String Quartet | E♭ Minor | 0 | 2A | 87 BPM |